Part of the people or apart from the people?
Barbie (2023) is both a feminist and a metaphysical film. It is a story of ideas regarding girls and their fantasies and the relation of the two vis-à-vis each other. This critical note draws attention to a way in which the film's metaphysics gets in the way of its feminism. I will argue that...
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Format: | Article |
Language: | English |
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Nederlands Genootschap voor Esthetica (Dutch Association of Aesthetics)
2024-12-01
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Series: | Aesthetic Investigations |
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Online Access: | https://aestheticinvestigations.eu/article/view/21636 |
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author | clinton peter verdonschot |
author_facet | clinton peter verdonschot |
author_sort | clinton peter verdonschot |
collection | DOAJ |
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Barbie (2023) is both a feminist and a metaphysical film. It is a story of ideas regarding girls and their fantasies and the relation of the two vis-à-vis each other. This critical note draws attention to a way in which the film's metaphysics gets in the way of its feminism. I will argue that the film's conception of Barbie Land and the Real World, as discrete planes of existence, is itself a symptom of the alienated state of existence that Barbie aims to overcome. Consequently, Barbie's escape from this alienated state is doomed to fail from the start.
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format | Article |
id | doaj-art-e84dda627875471b9342beb546fe5d04 |
institution | Kabale University |
issn | 2352-2704 |
language | English |
publishDate | 2024-12-01 |
publisher | Nederlands Genootschap voor Esthetica (Dutch Association of Aesthetics) |
record_format | Article |
series | Aesthetic Investigations |
spelling | doaj-art-e84dda627875471b9342beb546fe5d042025-01-09T13:33:07ZengNederlands Genootschap voor Esthetica (Dutch Association of Aesthetics)Aesthetic Investigations2352-27042024-12-017110.58519/ntj68y62Part of the people or apart from the people?clinton peter verdonschot Barbie (2023) is both a feminist and a metaphysical film. It is a story of ideas regarding girls and their fantasies and the relation of the two vis-à-vis each other. This critical note draws attention to a way in which the film's metaphysics gets in the way of its feminism. I will argue that the film's conception of Barbie Land and the Real World, as discrete planes of existence, is itself a symptom of the alienated state of existence that Barbie aims to overcome. Consequently, Barbie's escape from this alienated state is doomed to fail from the start. https://aestheticinvestigations.eu/article/view/21636Barbieliberal feminismLukacsGreta GerwigMarxist aestheticsfeminist aesthetics |
spellingShingle | clinton peter verdonschot Part of the people or apart from the people? Aesthetic Investigations Barbie liberal feminism Lukacs Greta Gerwig Marxist aesthetics feminist aesthetics |
title | Part of the people or apart from the people? |
title_full | Part of the people or apart from the people? |
title_fullStr | Part of the people or apart from the people? |
title_full_unstemmed | Part of the people or apart from the people? |
title_short | Part of the people or apart from the people? |
title_sort | part of the people or apart from the people |
topic | Barbie liberal feminism Lukacs Greta Gerwig Marxist aesthetics feminist aesthetics |
url | https://aestheticinvestigations.eu/article/view/21636 |
work_keys_str_mv | AT clintonpeterverdonschot partofthepeopleorapartfromthepeople |