Baccio del Bianco and the artistic fortuna of Galileo’s Il Saggiatore

This contribution takes into consideration Galileo’s Il Saggiatore as an overlooked source for the arts in Florence during the first part of the seventeenth century. I focus on the Florentine polymath Baccio del Bianco (1604-1657), an artist, engineer, architect, and caricaturist, whose interaction...

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Main Author: Eva Struhal
Format: Article
Language:English
Published: Museo Galileo 2023-11-01
Series:Galilæana
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Online Access:https://gal-studies.museogalileo.it/index.php/galilaeana/article/view/19
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author Eva Struhal
author_facet Eva Struhal
author_sort Eva Struhal
collection DOAJ
description This contribution takes into consideration Galileo’s Il Saggiatore as an overlooked source for the arts in Florence during the first part of the seventeenth century. I focus on the Florentine polymath Baccio del Bianco (1604-1657), an artist, engineer, architect, and caricaturist, whose interaction with Galileo was documented by the Florentine biographer Baldinucci. Baccio had also collaborated with Galileo’s friend, the architect and astronomer Giovanni Pieroni. My contribution especially highlights the confluence of artistic and natural philosophical perspectives in the cultural fortuna of Galileo’s treatise. The influence of Il Saggiatore on Baccio del Bianco’s work is exemplified by the decoration of the Camera della Notte e del Dì of Casa Buonarroti, designed in close dialogue with Michelangelo Buonarroti il Giovane. At a closer look, also Baccio’s caricatures are revealed as reflections on (human) nature endowed with the same authority as Galileo’s approach.
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spelling doaj-art-e7e874b5223f4788be09abd86458251e2025-08-20T04:03:18ZengMuseo GalileoGalilæana1825-39032023-11-0120210.57617/gal-19Baccio del Bianco and the artistic fortuna of Galileo’s Il SaggiatoreEva Struhal0Università di Trento This contribution takes into consideration Galileo’s Il Saggiatore as an overlooked source for the arts in Florence during the first part of the seventeenth century. I focus on the Florentine polymath Baccio del Bianco (1604-1657), an artist, engineer, architect, and caricaturist, whose interaction with Galileo was documented by the Florentine biographer Baldinucci. Baccio had also collaborated with Galileo’s friend, the architect and astronomer Giovanni Pieroni. My contribution especially highlights the confluence of artistic and natural philosophical perspectives in the cultural fortuna of Galileo’s treatise. The influence of Il Saggiatore on Baccio del Bianco’s work is exemplified by the decoration of the Camera della Notte e del Dì of Casa Buonarroti, designed in close dialogue with Michelangelo Buonarroti il Giovane. At a closer look, also Baccio’s caricatures are revealed as reflections on (human) nature endowed with the same authority as Galileo’s approach. https://gal-studies.museogalileo.it/index.php/galilaeana/article/view/19Baccio del Biancocaricaturetelescopeart and scienceCasa Buonarroti
spellingShingle Eva Struhal
Baccio del Bianco and the artistic fortuna of Galileo’s Il Saggiatore
Galilæana
Baccio del Bianco
caricature
telescope
art and science
Casa Buonarroti
title Baccio del Bianco and the artistic fortuna of Galileo’s Il Saggiatore
title_full Baccio del Bianco and the artistic fortuna of Galileo’s Il Saggiatore
title_fullStr Baccio del Bianco and the artistic fortuna of Galileo’s Il Saggiatore
title_full_unstemmed Baccio del Bianco and the artistic fortuna of Galileo’s Il Saggiatore
title_short Baccio del Bianco and the artistic fortuna of Galileo’s Il Saggiatore
title_sort baccio del bianco and the artistic fortuna of galileo s il saggiatore
topic Baccio del Bianco
caricature
telescope
art and science
Casa Buonarroti
url https://gal-studies.museogalileo.it/index.php/galilaeana/article/view/19
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