The Central European Theatre of Cold War Struggles in the Feature Films of the Third Polish Republic

This article examines several Polish film productions that contain geopolitical codes, thus allowing an interpretation of the Cold War confrontations on the Central European stage from the perspective of Poland's filmography after 1989. Russians portray the antagonistic characters in these film...

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Main Author: Radoslaw Domke
Format: Article
Language:English
Published: Stefan cel Mare University of Suceava 2024-12-01
Series:Codrul Cosminului
Subjects:
Online Access:https://codrulcosminului.usv.ro/wp-content/uploads/2024/12/Article.3.Vol_.30-2.pdf
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author Radoslaw Domke
author_facet Radoslaw Domke
author_sort Radoslaw Domke
collection DOAJ
description This article examines several Polish film productions that contain geopolitical codes, thus allowing an interpretation of the Cold War confrontations on the Central European stage from the perspective of Poland's filmography after 1989. Russians portray the antagonistic characters in these films, especially Soviet communist dignitaries, whether civilian or military. In contrast, Americans and other “defenders of democracy” in the Western sense of the term become the positive heroes. Thus, geopolitical codes – clearly identified – can indicate how the soft power actions of the United States of America contributed to the consolidation of a distinct image in Poland.
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spelling doaj-art-e7e110658bee415a8a766a41ce453f9e2025-08-20T03:03:45ZengStefan cel Mare University of SuceavaCodrul Cosminului1224-032X2067-58602024-12-01302307324https://doi.org/10.4316/CC.2024.02.03The Central European Theatre of Cold War Struggles in the Feature Films of the Third Polish RepublicRadoslaw Domke0University of Zielona Gora, PolandThis article examines several Polish film productions that contain geopolitical codes, thus allowing an interpretation of the Cold War confrontations on the Central European stage from the perspective of Poland's filmography after 1989. Russians portray the antagonistic characters in these films, especially Soviet communist dignitaries, whether civilian or military. In contrast, Americans and other “defenders of democracy” in the Western sense of the term become the positive heroes. Thus, geopolitical codes – clearly identified – can indicate how the soft power actions of the United States of America contributed to the consolidation of a distinct image in Poland.https://codrulcosminului.usv.ro/wp-content/uploads/2024/12/Article.3.Vol_.30-2.pdfgeopolitical codesprl cinemavisual historycentral europecold war
spellingShingle Radoslaw Domke
The Central European Theatre of Cold War Struggles in the Feature Films of the Third Polish Republic
Codrul Cosminului
geopolitical codes
prl cinema
visual history
central europe
cold war
title The Central European Theatre of Cold War Struggles in the Feature Films of the Third Polish Republic
title_full The Central European Theatre of Cold War Struggles in the Feature Films of the Third Polish Republic
title_fullStr The Central European Theatre of Cold War Struggles in the Feature Films of the Third Polish Republic
title_full_unstemmed The Central European Theatre of Cold War Struggles in the Feature Films of the Third Polish Republic
title_short The Central European Theatre of Cold War Struggles in the Feature Films of the Third Polish Republic
title_sort central european theatre of cold war struggles in the feature films of the third polish republic
topic geopolitical codes
prl cinema
visual history
central europe
cold war
url https://codrulcosminului.usv.ro/wp-content/uploads/2024/12/Article.3.Vol_.30-2.pdf
work_keys_str_mv AT radoslawdomke thecentraleuropeantheatreofcoldwarstrugglesinthefeaturefilmsofthethirdpolishrepublic
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