Neural Dynamics of Creative Movements During the Rehearsal and Performance of “LiveWire"
Abstract This report contains a description of physiological and motion data, recorded simultaneously and in synchrony using the hyperscanning method from two professional dancers using wireless mobile brain-body imaging (MoBI) technology during rehearsals and public performances of “LiveWire” - a n...
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| Format: | Article |
| Language: | English |
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Nature Portfolio
2024-11-01
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| Series: | Scientific Data |
| Online Access: | https://doi.org/10.1038/s41597-024-04010-8 |
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| author | Maxine Annel Pacheco-Ramírez Mauricio A. Ramírez-Moreno Komal Kukkar Nishant Rao Derek Huber Anthony K. Brandt Andy Noble Dionne Noble Bryan Ealey Jose L. Contreras-Vidal |
| author_facet | Maxine Annel Pacheco-Ramírez Mauricio A. Ramírez-Moreno Komal Kukkar Nishant Rao Derek Huber Anthony K. Brandt Andy Noble Dionne Noble Bryan Ealey Jose L. Contreras-Vidal |
| author_sort | Maxine Annel Pacheco-Ramírez |
| collection | DOAJ |
| description | Abstract This report contains a description of physiological and motion data, recorded simultaneously and in synchrony using the hyperscanning method from two professional dancers using wireless mobile brain-body imaging (MoBI) technology during rehearsals and public performances of “LiveWire” - a new composition comprised of five choreographed music and dance sections inspired by neuroscience principles. Brain and ocular activity were measured using 28-channel scalp electroencephalography (EEG), and 4-channel electrooculography (EOG), respectively; and head motion was recorded using an inertial measurement unit (IMU) placed on the forehead of each dancer. Video recordings were obtained for each session to allow for tagging of physiological and motion signals and for behavioral analysis. Data recordings were collected from 10 sessions over a 4-month period, in which the dancers rehearsed or performed (in front of an audience) choreographed expressive movements. A detailed explanation of the experimental set-up, the steps carried out for data collection, and an explanation on the usage are provided in this report. |
| format | Article |
| id | doaj-art-e7c944c352f0437ba4f2d422cbd7f044 |
| institution | OA Journals |
| issn | 2052-4463 |
| language | English |
| publishDate | 2024-11-01 |
| publisher | Nature Portfolio |
| record_format | Article |
| series | Scientific Data |
| spelling | doaj-art-e7c944c352f0437ba4f2d422cbd7f0442025-08-20T02:13:27ZengNature PortfolioScientific Data2052-44632024-11-011111710.1038/s41597-024-04010-8Neural Dynamics of Creative Movements During the Rehearsal and Performance of “LiveWire"Maxine Annel Pacheco-Ramírez0Mauricio A. Ramírez-Moreno1Komal Kukkar2Nishant Rao3Derek Huber4Anthony K. Brandt5Andy Noble6Dionne Noble7Bryan Ealey8Jose L. Contreras-Vidal9Non-invasive Brain-Machine Interface Systems Laboratory, IUCRC BRAIN, University of HoustonNon-invasive Brain-Machine Interface Systems Laboratory, IUCRC BRAIN, University of HoustonNon-invasive Brain-Machine Interface Systems Laboratory, IUCRC BRAIN, University of HoustonNon-invasive Brain-Machine Interface Systems Laboratory, IUCRC BRAIN, University of HoustonNon-invasive Brain-Machine Interface Systems Laboratory, IUCRC BRAIN, University of HoustonShepherd School of Music, Rice UniversityNobleMotion DanceNobleMotion DanceNobleMotion DanceNon-invasive Brain-Machine Interface Systems Laboratory, IUCRC BRAIN, University of HoustonAbstract This report contains a description of physiological and motion data, recorded simultaneously and in synchrony using the hyperscanning method from two professional dancers using wireless mobile brain-body imaging (MoBI) technology during rehearsals and public performances of “LiveWire” - a new composition comprised of five choreographed music and dance sections inspired by neuroscience principles. Brain and ocular activity were measured using 28-channel scalp electroencephalography (EEG), and 4-channel electrooculography (EOG), respectively; and head motion was recorded using an inertial measurement unit (IMU) placed on the forehead of each dancer. Video recordings were obtained for each session to allow for tagging of physiological and motion signals and for behavioral analysis. Data recordings were collected from 10 sessions over a 4-month period, in which the dancers rehearsed or performed (in front of an audience) choreographed expressive movements. A detailed explanation of the experimental set-up, the steps carried out for data collection, and an explanation on the usage are provided in this report.https://doi.org/10.1038/s41597-024-04010-8 |
| spellingShingle | Maxine Annel Pacheco-Ramírez Mauricio A. Ramírez-Moreno Komal Kukkar Nishant Rao Derek Huber Anthony K. Brandt Andy Noble Dionne Noble Bryan Ealey Jose L. Contreras-Vidal Neural Dynamics of Creative Movements During the Rehearsal and Performance of “LiveWire" Scientific Data |
| title | Neural Dynamics of Creative Movements During the Rehearsal and Performance of “LiveWire" |
| title_full | Neural Dynamics of Creative Movements During the Rehearsal and Performance of “LiveWire" |
| title_fullStr | Neural Dynamics of Creative Movements During the Rehearsal and Performance of “LiveWire" |
| title_full_unstemmed | Neural Dynamics of Creative Movements During the Rehearsal and Performance of “LiveWire" |
| title_short | Neural Dynamics of Creative Movements During the Rehearsal and Performance of “LiveWire" |
| title_sort | neural dynamics of creative movements during the rehearsal and performance of livewire |
| url | https://doi.org/10.1038/s41597-024-04010-8 |
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