(Re)conhecendo patrimônios: o papel social do Museu do Samba
If slavery over black African people was abolished more than a hundred years ago in Brazil, its shackles remain in racism, inequality and social invisibility. Samba, the main Brazilian identity reference, has been consistently banned from official history for over a century due to its African roots....
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| Format: | Article |
| Language: | English |
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Centro de Estudos Sociais da Universidade de Coimbra
2018-12-01
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| Series: | e-cadernos ces |
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| Online Access: | https://journals.openedition.org/eces/3782 |
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| author | Nilcemar Nogueira Desirree dos Reis Santos |
| author_facet | Nilcemar Nogueira Desirree dos Reis Santos |
| author_sort | Nilcemar Nogueira |
| collection | DOAJ |
| description | If slavery over black African people was abolished more than a hundred years ago in Brazil, its shackles remain in racism, inequality and social invisibility. Samba, the main Brazilian identity reference, has been consistently banned from official history for over a century due to its African roots. This article addresses the social role of the Museum of Samba in facing these challenges. We analyse the formation of its collections, as part of the patrimonialization and the right to the memory of samba. The role of the museum's educational program within the local community is also part of this study. From a perspective of territorial sharing, these are dialogically and socially responsible educational activities. Finally, we approach the application of the concepts of agora and forum to the museological institution through advocacy actions by one of its main stakeholders: samba community members. |
| format | Article |
| id | doaj-art-e6d9a25983904346ab5d7c88e3cfa76f |
| institution | OA Journals |
| issn | 1647-0737 |
| language | English |
| publishDate | 2018-12-01 |
| publisher | Centro de Estudos Sociais da Universidade de Coimbra |
| record_format | Article |
| series | e-cadernos ces |
| spelling | doaj-art-e6d9a25983904346ab5d7c88e3cfa76f2025-08-20T02:38:02ZengCentro de Estudos Sociais da Universidade de Coimbrae-cadernos ces1647-07372018-12-013010.4000/eces.3782(Re)conhecendo patrimônios: o papel social do Museu do SambaNilcemar NogueiraDesirree dos Reis SantosIf slavery over black African people was abolished more than a hundred years ago in Brazil, its shackles remain in racism, inequality and social invisibility. Samba, the main Brazilian identity reference, has been consistently banned from official history for over a century due to its African roots. This article addresses the social role of the Museum of Samba in facing these challenges. We analyse the formation of its collections, as part of the patrimonialization and the right to the memory of samba. The role of the museum's educational program within the local community is also part of this study. From a perspective of territorial sharing, these are dialogically and socially responsible educational activities. Finally, we approach the application of the concepts of agora and forum to the museological institution through advocacy actions by one of its main stakeholders: samba community members.https://journals.openedition.org/eces/3782heritagememoryMuseum of Samba New Museologysamba |
| spellingShingle | Nilcemar Nogueira Desirree dos Reis Santos (Re)conhecendo patrimônios: o papel social do Museu do Samba e-cadernos ces heritage memory Museum of Samba New Museology samba |
| title | (Re)conhecendo patrimônios: o papel social do Museu do Samba |
| title_full | (Re)conhecendo patrimônios: o papel social do Museu do Samba |
| title_fullStr | (Re)conhecendo patrimônios: o papel social do Museu do Samba |
| title_full_unstemmed | (Re)conhecendo patrimônios: o papel social do Museu do Samba |
| title_short | (Re)conhecendo patrimônios: o papel social do Museu do Samba |
| title_sort | re conhecendo patrimonios o papel social do museu do samba |
| topic | heritage memory Museum of Samba New Museology samba |
| url | https://journals.openedition.org/eces/3782 |
| work_keys_str_mv | AT nilcemarnogueira reconhecendopatrimoniosopapelsocialdomuseudosamba AT desirreedosreissantos reconhecendopatrimoniosopapelsocialdomuseudosamba |