DANCE, RHYTHM, AND SOCIAL SPACE

Does contemporary phenomenology envision movement in space as a displacement from a point A to a point B? Is there something more at stake in the movement of our bodies, that cannot be reduced to this type of displacement ? What happens when several bodies move together, like in dance practices of...

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Main Author: Delia POPA
Format: Article
Language:deu
Published: Babeș-Bolyai University 2019-08-01
Series:Studia Universitatis Babeș-Bolyai. Philosophia
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Online Access:https://studia.reviste.ubbcluj.ro/index.php/subbphilosophia/article/view/3016
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author Delia POPA
author_facet Delia POPA
author_sort Delia POPA
collection DOAJ
description Does contemporary phenomenology envision movement in space as a displacement from a point A to a point B? Is there something more at stake in the movement of our bodies, that cannot be reduced to this type of displacement ? What happens when several bodies move together, like in dance practices of all kinds ? The paper questions the role of repetitive movements in the institution of places we inhabit and the importance of the places we find ourselves to be for the way we move in space. Starting from the philosophical reflections on the Museum of Dance initiated by the French choreograph Boris Charmatz and through analysis of the American choreograph Wendy Woodson's work, the paper aims to shed light on the double dimension of repetitive movements, as they install us in space and as they alienate us from ourselves. The purpose of the paper is to reflect on a phenomenology of rhythm that helps articulate an aesthetic perspective on movement entailing social and political incidences.
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series Studia Universitatis Babeș-Bolyai. Philosophia
spelling doaj-art-e6b7df5763da4b3d92307126e3880e3e2025-08-20T02:51:59ZdeuBabeș-Bolyai UniversityStudia Universitatis Babeș-Bolyai. Philosophia2065-94072019-08-0164210.24193/subbphil.2019.2.06DANCE, RHYTHM, AND SOCIAL SPACEDelia POPA0Assistant Professor, Department of Philosophy, College of Liberal Arts and Sciences, Villanova University, Pennsylvania, USA. Email: delia.popa@villanova.edu. Does contemporary phenomenology envision movement in space as a displacement from a point A to a point B? Is there something more at stake in the movement of our bodies, that cannot be reduced to this type of displacement ? What happens when several bodies move together, like in dance practices of all kinds ? The paper questions the role of repetitive movements in the institution of places we inhabit and the importance of the places we find ourselves to be for the way we move in space. Starting from the philosophical reflections on the Museum of Dance initiated by the French choreograph Boris Charmatz and through analysis of the American choreograph Wendy Woodson's work, the paper aims to shed light on the double dimension of repetitive movements, as they install us in space and as they alienate us from ourselves. The purpose of the paper is to reflect on a phenomenology of rhythm that helps articulate an aesthetic perspective on movement entailing social and political incidences. https://studia.reviste.ubbcluj.ro/index.php/subbphilosophia/article/view/3016movement, body, space, dance, aesthetics
spellingShingle Delia POPA
DANCE, RHYTHM, AND SOCIAL SPACE
Studia Universitatis Babeș-Bolyai. Philosophia
movement, body, space, dance, aesthetics
title DANCE, RHYTHM, AND SOCIAL SPACE
title_full DANCE, RHYTHM, AND SOCIAL SPACE
title_fullStr DANCE, RHYTHM, AND SOCIAL SPACE
title_full_unstemmed DANCE, RHYTHM, AND SOCIAL SPACE
title_short DANCE, RHYTHM, AND SOCIAL SPACE
title_sort dance rhythm and social space
topic movement, body, space, dance, aesthetics
url https://studia.reviste.ubbcluj.ro/index.php/subbphilosophia/article/view/3016
work_keys_str_mv AT deliapopa dancerhythmandsocialspace