‟LE RITE” (1969) D’INGMAR BERGMAN: L’ACTEUR-COMME-ACTEUR ENTRE L’‟ANAGNORISIS” ET LA FRAGILITÉ DE L’IDENTIFICATION
Ingmar Bergman’s The Rite (1969): the Actor-as-Actor between Anagnorisis and Fragility of Identification. The present paper analyses the strange identification experienced by the Bergmanian actor-as-actor, due to a perpetual memory of the body. We will examine the manner in which the actor who play...
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Babeș-Bolyai University
2017-04-01
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| Series: | Studia Universitatis Babeș-Bolyai. Philosophia |
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| Online Access: | https://studia.reviste.ubbcluj.ro/index.php/subbphilosophia/article/view/3314 |
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| author | Alexandra Noemina CÂMPEAN |
| author_facet | Alexandra Noemina CÂMPEAN |
| author_sort | Alexandra Noemina CÂMPEAN |
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Ingmar Bergman’s The Rite (1969): the Actor-as-Actor between Anagnorisis and Fragility of Identification. The present paper analyses the strange identification experienced by the Bergmanian actor-as-actor, due to a perpetual memory of the body. We will examine the manner in which the actor who plays the role of the actor passes through a painful and disarticulated identification, originated in August Strindberg’s radiations of the ego (Ausstrahlungen des Ichs). Accordingly, the radiations are not only writings in the first person, but also egotistical discourse; binding the ego on the stage, the playwright’s world becomes not only a psychic experience, but also a diurnal dream lived with the eyes wide open (as in the plays The Road to Damascus and A Dream Play). Therefore, in the film The Rite (Riten, 1969, TV movie), the total and stylized actor enacts the virtue of the crime in order to re-cognize himself; in this context, the achievement of his persona confirms the thorough execution of a murder – that is to say that the actor’s visage foreshadows the melancholic soleil noir of the Universal tragedy.
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| format | Article |
| id | doaj-art-e5ff1e37d4064a9bbe844be04d782e59 |
| institution | Kabale University |
| issn | 2065-9407 |
| language | deu |
| publishDate | 2017-04-01 |
| publisher | Babeș-Bolyai University |
| record_format | Article |
| series | Studia Universitatis Babeș-Bolyai. Philosophia |
| spelling | doaj-art-e5ff1e37d4064a9bbe844be04d782e592025-08-20T03:34:13ZdeuBabeș-Bolyai UniversityStudia Universitatis Babeș-Bolyai. Philosophia2065-94072017-04-0162110.24193/subbphil.2017.1.07‟LE RITE” (1969) D’INGMAR BERGMAN: L’ACTEUR-COMME-ACTEUR ENTRE L’‟ANAGNORISIS” ET LA FRAGILITÉ DE L’IDENTIFICATIONAlexandra Noemina CÂMPEAN0Doctor of Letters, Faculty of Letters, Babeș-Bolyai University Cluj-Napoca; member of the Romanian Forum of the Lacanian Field. Email: noemina.campean@gmail.com. Ingmar Bergman’s The Rite (1969): the Actor-as-Actor between Anagnorisis and Fragility of Identification. The present paper analyses the strange identification experienced by the Bergmanian actor-as-actor, due to a perpetual memory of the body. We will examine the manner in which the actor who plays the role of the actor passes through a painful and disarticulated identification, originated in August Strindberg’s radiations of the ego (Ausstrahlungen des Ichs). Accordingly, the radiations are not only writings in the first person, but also egotistical discourse; binding the ego on the stage, the playwright’s world becomes not only a psychic experience, but also a diurnal dream lived with the eyes wide open (as in the plays The Road to Damascus and A Dream Play). Therefore, in the film The Rite (Riten, 1969, TV movie), the total and stylized actor enacts the virtue of the crime in order to re-cognize himself; in this context, the achievement of his persona confirms the thorough execution of a murder – that is to say that the actor’s visage foreshadows the melancholic soleil noir of the Universal tragedy. https://studia.reviste.ubbcluj.ro/index.php/subbphilosophia/article/view/3314repetition, ritual, anagnorisis, identity, sufferance |
| spellingShingle | Alexandra Noemina CÂMPEAN ‟LE RITE” (1969) D’INGMAR BERGMAN: L’ACTEUR-COMME-ACTEUR ENTRE L’‟ANAGNORISIS” ET LA FRAGILITÉ DE L’IDENTIFICATION Studia Universitatis Babeș-Bolyai. Philosophia repetition, ritual, anagnorisis, identity, sufferance |
| title | ‟LE RITE” (1969) D’INGMAR BERGMAN: L’ACTEUR-COMME-ACTEUR ENTRE L’‟ANAGNORISIS” ET LA FRAGILITÉ DE L’IDENTIFICATION |
| title_full | ‟LE RITE” (1969) D’INGMAR BERGMAN: L’ACTEUR-COMME-ACTEUR ENTRE L’‟ANAGNORISIS” ET LA FRAGILITÉ DE L’IDENTIFICATION |
| title_fullStr | ‟LE RITE” (1969) D’INGMAR BERGMAN: L’ACTEUR-COMME-ACTEUR ENTRE L’‟ANAGNORISIS” ET LA FRAGILITÉ DE L’IDENTIFICATION |
| title_full_unstemmed | ‟LE RITE” (1969) D’INGMAR BERGMAN: L’ACTEUR-COMME-ACTEUR ENTRE L’‟ANAGNORISIS” ET LA FRAGILITÉ DE L’IDENTIFICATION |
| title_short | ‟LE RITE” (1969) D’INGMAR BERGMAN: L’ACTEUR-COMME-ACTEUR ENTRE L’‟ANAGNORISIS” ET LA FRAGILITÉ DE L’IDENTIFICATION |
| title_sort | le rite 1969 d ingmar bergman l acteur comme acteur entre l anagnorisis et la fragilite de l identification |
| topic | repetition, ritual, anagnorisis, identity, sufferance |
| url | https://studia.reviste.ubbcluj.ro/index.php/subbphilosophia/article/view/3314 |
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