La revalorización del medievo en la estética masónica: Inglaterra y Escocia (siglos XIX y XX)
This essay reflects, from a multidisciplinary and holistic perspective, how the medievalism interacts with the aesthetics of Freemasonry from its origins to 20th century, as a group with a supranational identity, principally in Great Britain – England and Scotland. Freemasonry, considered as one of...
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| Format: | Article |
| Language: | deu |
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Instituto de Estudos Medievais
2014-01-01
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| Series: | Medievalista |
| Subjects: | |
| Online Access: | https://journals.openedition.org/medievalista/287 |
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| Summary: | This essay reflects, from a multidisciplinary and holistic perspective, how the medievalism interacts with the aesthetics of Freemasonry from its origins to 20th century, as a group with a supranational identity, principally in Great Britain – England and Scotland. Freemasonry, considered as one of the first “social network”, emerged in contemporary society of the pre-Enlightenment in England (1717), draw a global map of corporatism – whether philanthropic, educational, ethical, moral and even political senses could met there – with the principles and aesthetic values associated with arts and architecture. This aspects generates in Freemasonry, a national identity, a strong debate and revaluation of the Medieval culture in Europe, where freemasons as Walter Scott claimed the Gothic as the unique style. |
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| ISSN: | 1646-740X |