Génération Crivelli
Studying Carlo Crivelli’s painting and carrier focusing on kinship appears full of perspectives. Starting from the interpretation formulated by Deleuze and Guattari about alliance as a form of creation, I try to analyse how Crivelli has actually elaborated his style through affinity or heterogenesis...
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| Format: | Article |
| Language: | fra |
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Centre d´Histoire et Théorie des Arts
2011-01-01
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| Series: | Images Re-Vues |
| Subjects: | |
| Online Access: | https://journals.openedition.org/imagesrevues/1646 |
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| _version_ | 1850259041763196928 |
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| author | Thomas Golsenne |
| author_facet | Thomas Golsenne |
| author_sort | Thomas Golsenne |
| collection | DOAJ |
| description | Studying Carlo Crivelli’s painting and carrier focusing on kinship appears full of perspectives. Starting from the interpretation formulated by Deleuze and Guattari about alliance as a form of creation, I try to analyse how Crivelli has actually elaborated his style through affinity or heterogenesis. But Crivelli has himself aroused a « family », the crivelleschi : these painters who imitated his style during around thirty years. In order to understand this phenomenon, we need another model: religious imitation, « hagiographic kinship » or « holy tribe ». |
| format | Article |
| id | doaj-art-e556882e2b8b4b71b89ff1fb3af9c55c |
| institution | OA Journals |
| issn | 1778-3801 |
| language | fra |
| publishDate | 2011-01-01 |
| publisher | Centre d´Histoire et Théorie des Arts |
| record_format | Article |
| series | Images Re-Vues |
| spelling | doaj-art-e556882e2b8b4b71b89ff1fb3af9c55c2025-08-20T01:55:58ZfraCentre d´Histoire et Théorie des ArtsImages Re-Vues1778-38012011-01-01910.4000/imagesrevues.1646Génération CrivelliThomas GolsenneStudying Carlo Crivelli’s painting and carrier focusing on kinship appears full of perspectives. Starting from the interpretation formulated by Deleuze and Guattari about alliance as a form of creation, I try to analyse how Crivelli has actually elaborated his style through affinity or heterogenesis. But Crivelli has himself aroused a « family », the crivelleschi : these painters who imitated his style during around thirty years. In order to understand this phenomenon, we need another model: religious imitation, « hagiographic kinship » or « holy tribe ».https://journals.openedition.org/imagesrevues/1646paintingCarlo CrivelliGilles DeleuzealliancefiliationMarca di Ancona |
| spellingShingle | Thomas Golsenne Génération Crivelli Images Re-Vues painting Carlo Crivelli Gilles Deleuze alliance filiation Marca di Ancona |
| title | Génération Crivelli |
| title_full | Génération Crivelli |
| title_fullStr | Génération Crivelli |
| title_full_unstemmed | Génération Crivelli |
| title_short | Génération Crivelli |
| title_sort | generation crivelli |
| topic | painting Carlo Crivelli Gilles Deleuze alliance filiation Marca di Ancona |
| url | https://journals.openedition.org/imagesrevues/1646 |
| work_keys_str_mv | AT thomasgolsenne generationcrivelli |