Obraz filmowy jako dzieło sztuki

<span>The language of film art, or the artistic language of cinematography, is not a separate kind of language of moving images. It is only its specific kind whose basic function consists in looking for the ever newer layers of cinematographic expression in film, TV spectacle, video-art, "...

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Main Author: Marek Hendrykowski
Format: Article
Language:Polish
Published: Adam Mickiewicz University 2007-04-01
Series:Przestrzenie Teorii
Online Access:http://pressto.amu.edu.pl/index.php/pt/article/view/11456
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author Marek Hendrykowski
author_facet Marek Hendrykowski
author_sort Marek Hendrykowski
collection DOAJ
description <span>The language of film art, or the artistic language of cinematography, is not a separate kind of language of moving images. It is only its specific kind whose basic function consists in looking for the ever newer layers of cinematographic expression in film, TV spectacle, video-art, "light, music and sound" performance and the like. The work of art of the moving image appears to be an utterance constructed in a peculiar manner. Signs used in it become signs of signs, images shown are images of images. Such a work, due to the specificity of its formation is characterised by information capability which is considerably higher than that of an ordinary non-artistic communication. The model of reality contained in it is richer, which results from a much deeper combination of elements co-creating its structure and its characteristic expression. Many meanings as a semantic principle and as an element of the art of moving images which is of main importance, distinguishes the work of this art from all the other kinds of cinematographic communications, which generally avoid the effect of many meanings.</span>
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publishDate 2007-04-01
publisher Adam Mickiewicz University
record_format Article
series Przestrzenie Teorii
spelling doaj-art-e533bdb736be4c54987e2313ab62e6272025-08-20T03:49:12ZpolAdam Mickiewicz UniversityPrzestrzenie Teorii1644-67632450-57652007-04-010217918910.14746/pt.2003.2.1110983Obraz filmowy jako dzieło sztukiMarek Hendrykowski<span>The language of film art, or the artistic language of cinematography, is not a separate kind of language of moving images. It is only its specific kind whose basic function consists in looking for the ever newer layers of cinematographic expression in film, TV spectacle, video-art, "light, music and sound" performance and the like. The work of art of the moving image appears to be an utterance constructed in a peculiar manner. Signs used in it become signs of signs, images shown are images of images. Such a work, due to the specificity of its formation is characterised by information capability which is considerably higher than that of an ordinary non-artistic communication. The model of reality contained in it is richer, which results from a much deeper combination of elements co-creating its structure and its characteristic expression. Many meanings as a semantic principle and as an element of the art of moving images which is of main importance, distinguishes the work of this art from all the other kinds of cinematographic communications, which generally avoid the effect of many meanings.</span>http://pressto.amu.edu.pl/index.php/pt/article/view/11456
spellingShingle Marek Hendrykowski
Obraz filmowy jako dzieło sztuki
Przestrzenie Teorii
title Obraz filmowy jako dzieło sztuki
title_full Obraz filmowy jako dzieło sztuki
title_fullStr Obraz filmowy jako dzieło sztuki
title_full_unstemmed Obraz filmowy jako dzieło sztuki
title_short Obraz filmowy jako dzieło sztuki
title_sort obraz filmowy jako dzielo sztuki
url http://pressto.amu.edu.pl/index.php/pt/article/view/11456
work_keys_str_mv AT marekhendrykowski obrazfilmowyjakodziełosztuki