Textures of the Everyday

Memoirs are short autobiographical compositions that are focalized around particular memories and/or experiences instead of aligning with normativities of chronology or historical progress. Historically, the privileging of everyday experiences over life histories configured memoirs as accessible for...

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Main Author: Parvathi M. S.
Format: Article
Language:English
Published: Boibhashik 2024-08-01
Series:Sanglap: Journal of Literary and Cultural Inquiry
Subjects:
Online Access:https://www.sanglap-journal.in/index.php/sanglap/article/view/263
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author Parvathi M. S.
author_facet Parvathi M. S.
author_sort Parvathi M. S.
collection DOAJ
description Memoirs are short autobiographical compositions that are focalized around particular memories and/or experiences instead of aligning with normativities of chronology or historical progress. Historically, the privileging of everyday experiences over life histories configured memoirs as accessible forms of autobiographical composition for disprivileged groups such as women and the working-class (Nussbaum 149). A focus on affects, or states of being, facilitates an intensification of the sensory elements of our terrain, enabling the prioritization of its ‘texture’ (Sedgwick 17). The cultural theorist, Kathleen Stewart employs the term ‘ordinary affects’ to qualify this intertwining of the everyday and the affective and to facilitate an enquiry into the generative potential of everyday life (7). The habitual and the ordinary are privileged in the memoir, titled Aaru Nee (2018) composed by the celebrated Malayali writer and activist, Sarah Joseph. The paper analyses the linkages between the affective registers and Sarah Joseph’s autobiographical subjectivity in Aaru Nee.
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spelling doaj-art-e50e31b0af624b0484e560bb896cef1c2025-08-20T03:53:23ZengBoibhashikSanglap: Journal of Literary and Cultural Inquiry2349-80642024-08-01102122210.35684/JLCI.2024.10202263Textures of the EverydayParvathi M. S.0Independent ScholarMemoirs are short autobiographical compositions that are focalized around particular memories and/or experiences instead of aligning with normativities of chronology or historical progress. Historically, the privileging of everyday experiences over life histories configured memoirs as accessible forms of autobiographical composition for disprivileged groups such as women and the working-class (Nussbaum 149). A focus on affects, or states of being, facilitates an intensification of the sensory elements of our terrain, enabling the prioritization of its ‘texture’ (Sedgwick 17). The cultural theorist, Kathleen Stewart employs the term ‘ordinary affects’ to qualify this intertwining of the everyday and the affective and to facilitate an enquiry into the generative potential of everyday life (7). The habitual and the ordinary are privileged in the memoir, titled Aaru Nee (2018) composed by the celebrated Malayali writer and activist, Sarah Joseph. The paper analyses the linkages between the affective registers and Sarah Joseph’s autobiographical subjectivity in Aaru Nee.https://www.sanglap-journal.in/index.php/sanglap/article/view/263memoiraffectautobiographyeverydaysubjectivity
spellingShingle Parvathi M. S.
Textures of the Everyday
Sanglap: Journal of Literary and Cultural Inquiry
memoir
affect
autobiography
everyday
subjectivity
title Textures of the Everyday
title_full Textures of the Everyday
title_fullStr Textures of the Everyday
title_full_unstemmed Textures of the Everyday
title_short Textures of the Everyday
title_sort textures of the everyday
topic memoir
affect
autobiography
everyday
subjectivity
url https://www.sanglap-journal.in/index.php/sanglap/article/view/263
work_keys_str_mv AT parvathims texturesoftheeveryday