Zines as artistic tools in harm reduction: bridging subjective experience and scientific knowledge

Abstract Since the early days of the fight against HIV, zines have appeared to play a dual role: they encourage affected communities to voice their experiences and facilitate the exchange of information between researchers, professionals, and the individuals concerned, particularly drug users. Howev...

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Main Authors: Marie Dos Santos, Laélia Briand-Madrid, Joachim Lévy, Jihane El Meddeb, Perrine Roux
Format: Article
Language:English
Published: BMC 2025-04-01
Series:Harm Reduction Journal
Online Access:https://doi.org/10.1186/s12954-025-01216-w
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author Marie Dos Santos
Laélia Briand-Madrid
Joachim Lévy
Jihane El Meddeb
Perrine Roux
author_facet Marie Dos Santos
Laélia Briand-Madrid
Joachim Lévy
Jihane El Meddeb
Perrine Roux
author_sort Marie Dos Santos
collection DOAJ
description Abstract Since the early days of the fight against HIV, zines have appeared to play a dual role: they encourage affected communities to voice their experiences and facilitate the exchange of information between researchers, professionals, and the individuals concerned, particularly drug users. However, few studies have examined the role of zines as a harm reduction tool within public health. This commentary draws on a two-year ethnographic study of a zine project designed for people facing drug-related challenges and vulnerabilities, such as social precarity and mental health issues. We identified various forms of engagement with the zine project, based on three key aspects. First, the zine elevates a plurality of voices, whether from the spheres of research, peer-based networks, healthcare professionals, or the streets and social precariousness. Second, the zine operates within a broader network of associations, fostering connections between local social action structures. Lastly, while the zine primarily addresses drug-related issues, it also opens space for broader topics such as precarity, gender, and migration. This thematic transversality stems from a desire to grasp the complexity of social factors that shape individual life trajectories. The production of a zine, envisioned as a platform for expression and the promotion of an alternative subculture, promotes the participation of those most distanced from care and among the most vulnerable populations. The peer-driven collaboration throughout the zine’s creation also enables the stakeholders involved (editorial team, contributors, readers, etc.) to contribute to the emergence of diverse forms of knowledge, fostering a new understanding of reality and bridging audiences that would otherwise rarely intersect.
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spelling doaj-art-e4fa4f9bcd6c46ef80e6c85f2bf59c4e2025-08-20T03:18:32ZengBMCHarm Reduction Journal1477-75172025-04-012211610.1186/s12954-025-01216-wZines as artistic tools in harm reduction: bridging subjective experience and scientific knowledgeMarie Dos Santos0Laélia Briand-Madrid1Joachim Lévy2Jihane El Meddeb3Perrine Roux4Economic and Social Sciences, Health Systems and Medical InformaticsEconomic and Social Sciences, Health Systems and Medical InformaticsEconomic and Social Sciences, Health Systems and Medical InformaticsEconomic and Social Sciences, Health Systems and Medical InformaticsEconomic and Social Sciences, Health Systems and Medical InformaticsAbstract Since the early days of the fight against HIV, zines have appeared to play a dual role: they encourage affected communities to voice their experiences and facilitate the exchange of information between researchers, professionals, and the individuals concerned, particularly drug users. However, few studies have examined the role of zines as a harm reduction tool within public health. This commentary draws on a two-year ethnographic study of a zine project designed for people facing drug-related challenges and vulnerabilities, such as social precarity and mental health issues. We identified various forms of engagement with the zine project, based on three key aspects. First, the zine elevates a plurality of voices, whether from the spheres of research, peer-based networks, healthcare professionals, or the streets and social precariousness. Second, the zine operates within a broader network of associations, fostering connections between local social action structures. Lastly, while the zine primarily addresses drug-related issues, it also opens space for broader topics such as precarity, gender, and migration. This thematic transversality stems from a desire to grasp the complexity of social factors that shape individual life trajectories. The production of a zine, envisioned as a platform for expression and the promotion of an alternative subculture, promotes the participation of those most distanced from care and among the most vulnerable populations. The peer-driven collaboration throughout the zine’s creation also enables the stakeholders involved (editorial team, contributors, readers, etc.) to contribute to the emergence of diverse forms of knowledge, fostering a new understanding of reality and bridging audiences that would otherwise rarely intersect.https://doi.org/10.1186/s12954-025-01216-w
spellingShingle Marie Dos Santos
Laélia Briand-Madrid
Joachim Lévy
Jihane El Meddeb
Perrine Roux
Zines as artistic tools in harm reduction: bridging subjective experience and scientific knowledge
Harm Reduction Journal
title Zines as artistic tools in harm reduction: bridging subjective experience and scientific knowledge
title_full Zines as artistic tools in harm reduction: bridging subjective experience and scientific knowledge
title_fullStr Zines as artistic tools in harm reduction: bridging subjective experience and scientific knowledge
title_full_unstemmed Zines as artistic tools in harm reduction: bridging subjective experience and scientific knowledge
title_short Zines as artistic tools in harm reduction: bridging subjective experience and scientific knowledge
title_sort zines as artistic tools in harm reduction bridging subjective experience and scientific knowledge
url https://doi.org/10.1186/s12954-025-01216-w
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