De l’incident de terrain à l’écriture de l’évocation

Moving towards a collaborative epistemology between art and anthropology, this paper reflects upon writing forms that attempt to reduce the epistemic violence of ethnographic encounters. A brief history of the benefits of the crisis of representation (Writing Culture) is followed by hints on concept...

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Main Author: Claire Vionnet
Format: Article
Language:fra
Published: Laboratoire d'Ethnologie et de Sociologie Comparative 2023-06-01
Series:Ateliers d'Anthropologie
Subjects:
Online Access:https://journals.openedition.org/ateliers/17976
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author Claire Vionnet
author_facet Claire Vionnet
author_sort Claire Vionnet
collection DOAJ
description Moving towards a collaborative epistemology between art and anthropology, this paper reflects upon writing forms that attempt to reduce the epistemic violence of ethnographic encounters. A brief history of the benefits of the crisis of representation (Writing Culture) is followed by hints on concepts of autoethnography, sensorial anthropology, and anthropology through the body. Drawing on a fieldwork on contemporary dance, the anthropologist highlights how a phenomenological description of dance can expand choreographers’ questions that might be raised within the dance studio. Textual propositions are presented to support a more ethical and collaborative writing: a symmetrical dialogue with dance studies; the negotiation of generative terms; a writing based on the notion of evocation rather than representation; and finally, a sensorial, phenomenological and autoethnographic writing.
format Article
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institution Kabale University
issn 2117-3869
language fra
publishDate 2023-06-01
publisher Laboratoire d'Ethnologie et de Sociologie Comparative
record_format Article
series Ateliers d'Anthropologie
spelling doaj-art-e4f632149d0145b8bfc74f5c99fb96862025-01-30T13:42:36ZfraLaboratoire d'Ethnologie et de Sociologie ComparativeAteliers d'Anthropologie2117-38692023-06-0110.4000/ateliers.17976De l’incident de terrain à l’écriture de l’évocationClaire VionnetMoving towards a collaborative epistemology between art and anthropology, this paper reflects upon writing forms that attempt to reduce the epistemic violence of ethnographic encounters. A brief history of the benefits of the crisis of representation (Writing Culture) is followed by hints on concepts of autoethnography, sensorial anthropology, and anthropology through the body. Drawing on a fieldwork on contemporary dance, the anthropologist highlights how a phenomenological description of dance can expand choreographers’ questions that might be raised within the dance studio. Textual propositions are presented to support a more ethical and collaborative writing: a symmetrical dialogue with dance studies; the negotiation of generative terms; a writing based on the notion of evocation rather than representation; and finally, a sensorial, phenomenological and autoethnographic writing.https://journals.openedition.org/ateliers/17976autoethnographycontemporary danceethnographic accountsensitive and evocative writingWriting CultureSwitzerland
spellingShingle Claire Vionnet
De l’incident de terrain à l’écriture de l’évocation
Ateliers d'Anthropologie
autoethnography
contemporary dance
ethnographic account
sensitive and evocative writing
Writing Culture
Switzerland
title De l’incident de terrain à l’écriture de l’évocation
title_full De l’incident de terrain à l’écriture de l’évocation
title_fullStr De l’incident de terrain à l’écriture de l’évocation
title_full_unstemmed De l’incident de terrain à l’écriture de l’évocation
title_short De l’incident de terrain à l’écriture de l’évocation
title_sort de l incident de terrain a l ecriture de l evocation
topic autoethnography
contemporary dance
ethnographic account
sensitive and evocative writing
Writing Culture
Switzerland
url https://journals.openedition.org/ateliers/17976
work_keys_str_mv AT clairevionnet delincidentdeterrainalecrituredelevocation