The Interlaced Arches and the So-Called <i>sebka</i> Decoration: Origin and Materialisation in al-Andalus and Its Reinterpretation in Medieval Castile

In this article, I aim to address one of the most characteristic decorative elements of the Almohad period, the so-called <i>sebka</i> decoration. With this aim in mind and through the research carried out and the examples that have been preserved, I consider it appropriate to know the o...

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Main Author: Ignacio González Cavero
Format: Article
Language:English
Published: MDPI AG 2025-02-01
Series:Arts
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Online Access:https://www.mdpi.com/2076-0752/14/1/16
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author Ignacio González Cavero
author_facet Ignacio González Cavero
author_sort Ignacio González Cavero
collection DOAJ
description In this article, I aim to address one of the most characteristic decorative elements of the Almohad period, the so-called <i>sebka</i> decoration. With this aim in mind and through the research carried out and the examples that have been preserved, I consider it appropriate to know the origin of this ornamental motif that is so recurrent in the Andalusian architectural panorama and to analyse not only its compositional scheme but also the different formal variants that arose around it. Furthermore, its use in other buildings in the Kingdom of Castile is a further indication that allows us to approach a scenario where cultural and artistic transfer between al-Andalus and the Christian territories was a reality.
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spelling doaj-art-e4edaed86d26452bb6b35153557e041e2025-08-20T02:44:44ZengMDPI AGArts2076-07522025-02-011411610.3390/arts14010016The Interlaced Arches and the So-Called <i>sebka</i> Decoration: Origin and Materialisation in al-Andalus and Its Reinterpretation in Medieval CastileIgnacio González Cavero0Department of History and Theory of Art, Faculty of Philosophy and Arts, Autonomous University of Madrid, 28049 Madrid, SpainIn this article, I aim to address one of the most characteristic decorative elements of the Almohad period, the so-called <i>sebka</i> decoration. With this aim in mind and through the research carried out and the examples that have been preserved, I consider it appropriate to know the origin of this ornamental motif that is so recurrent in the Andalusian architectural panorama and to analyse not only its compositional scheme but also the different formal variants that arose around it. Furthermore, its use in other buildings in the Kingdom of Castile is a further indication that allows us to approach a scenario where cultural and artistic transfer between al-Andalus and the Christian territories was a reality.https://www.mdpi.com/2076-0752/14/1/16al-Andalus<i>sebka</i>AlmohadsarchitectureCastile
spellingShingle Ignacio González Cavero
The Interlaced Arches and the So-Called <i>sebka</i> Decoration: Origin and Materialisation in al-Andalus and Its Reinterpretation in Medieval Castile
Arts
al-Andalus
<i>sebka</i>
Almohads
architecture
Castile
title The Interlaced Arches and the So-Called <i>sebka</i> Decoration: Origin and Materialisation in al-Andalus and Its Reinterpretation in Medieval Castile
title_full The Interlaced Arches and the So-Called <i>sebka</i> Decoration: Origin and Materialisation in al-Andalus and Its Reinterpretation in Medieval Castile
title_fullStr The Interlaced Arches and the So-Called <i>sebka</i> Decoration: Origin and Materialisation in al-Andalus and Its Reinterpretation in Medieval Castile
title_full_unstemmed The Interlaced Arches and the So-Called <i>sebka</i> Decoration: Origin and Materialisation in al-Andalus and Its Reinterpretation in Medieval Castile
title_short The Interlaced Arches and the So-Called <i>sebka</i> Decoration: Origin and Materialisation in al-Andalus and Its Reinterpretation in Medieval Castile
title_sort interlaced arches and the so called i sebka i decoration origin and materialisation in al andalus and its reinterpretation in medieval castile
topic al-Andalus
<i>sebka</i>
Almohads
architecture
Castile
url https://www.mdpi.com/2076-0752/14/1/16
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AT ignaciogonzalezcavero interlacedarchesandthesocalledisebkaidecorationoriginandmaterialisationinalandalusanditsreinterpretationinmedievalcastile