La vue topographique en France au xviiie siècle : éclat et mésestime d’un genre
Views or vedutes, a subgenre of landscape painting, were extremely popular in eighteenth-century Europe, especially within the context of the Grand Tour. However, vedutes seem to have been a neglected genre in France, even though French landscape painting had flourished since the seventeenth century...
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| Format: | Article |
| Language: | fra |
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Pléiade (EA 7338)
2016-02-01
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| Series: | Itinéraires |
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| Online Access: | https://journals.openedition.org/itineraires/2819 |
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| _version_ | 1849736280279089152 |
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| author | Émilie Beck-Saiello |
| author_facet | Émilie Beck-Saiello |
| author_sort | Émilie Beck-Saiello |
| collection | DOAJ |
| description | Views or vedutes, a subgenre of landscape painting, were extremely popular in eighteenth-century Europe, especially within the context of the Grand Tour. However, vedutes seem to have been a neglected genre in France, even though French landscape painting had flourished since the seventeenth century with such renowned painters as Joseph Vernet and Hubert Robert. The essay attempts to define landscape painting in Enlightenment France and analyze the reasons for the failure of the veduta. |
| format | Article |
| id | doaj-art-e4c7b4d940d14067a140744a8747c50d |
| institution | DOAJ |
| issn | 2427-920X |
| language | fra |
| publishDate | 2016-02-01 |
| publisher | Pléiade (EA 7338) |
| record_format | Article |
| series | Itinéraires |
| spelling | doaj-art-e4c7b4d940d14067a140744a8747c50d2025-08-20T03:07:20ZfraPléiade (EA 7338)Itinéraires2427-920X2016-02-012015210.4000/itineraires.2819La vue topographique en France au xviiie siècle : éclat et mésestime d’un genreÉmilie Beck-SaielloViews or vedutes, a subgenre of landscape painting, were extremely popular in eighteenth-century Europe, especially within the context of the Grand Tour. However, vedutes seem to have been a neglected genre in France, even though French landscape painting had flourished since the seventeenth century with such renowned painters as Joseph Vernet and Hubert Robert. The essay attempts to define landscape painting in Enlightenment France and analyze the reasons for the failure of the veduta.https://journals.openedition.org/itineraires/2819eighteenth centurylandscapeFrancepaintingviewveduta |
| spellingShingle | Émilie Beck-Saiello La vue topographique en France au xviiie siècle : éclat et mésestime d’un genre Itinéraires eighteenth century landscape France painting view veduta |
| title | La vue topographique en France au xviiie siècle : éclat et mésestime d’un genre |
| title_full | La vue topographique en France au xviiie siècle : éclat et mésestime d’un genre |
| title_fullStr | La vue topographique en France au xviiie siècle : éclat et mésestime d’un genre |
| title_full_unstemmed | La vue topographique en France au xviiie siècle : éclat et mésestime d’un genre |
| title_short | La vue topographique en France au xviiie siècle : éclat et mésestime d’un genre |
| title_sort | la vue topographique en france au xviiie siecle eclat et mesestime d un genre |
| topic | eighteenth century landscape France painting view veduta |
| url | https://journals.openedition.org/itineraires/2819 |
| work_keys_str_mv | AT emiliebecksaiello lavuetopographiqueenfranceauxviiiesiecleeclatetmesestimedungenre |