The first-layer frescoes in the dome of the Rotunda of Saint George in Sofia

The paper reviews the dating and meaning of the first-layer frescoes in Saint George Rotunda in Sofia. The angelic worship of Christ in the dome is here interpreted in a liturgical vein, as is indicated by the poses of the angels. This motif can be traced in the churches of the Archbishopric of Ohri...

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Main Author: Zakharova Anna
Format: Article
Language:deu
Published: Faculty of Philosophy, Belgrade 2023-01-01
Series:Zograf
Subjects:
Online Access:https://doiserbia.nb.rs/img/doi/0350-1361/2023/0350-13612347001Z.pdf
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author Zakharova Anna
author_facet Zakharova Anna
author_sort Zakharova Anna
collection DOAJ
description The paper reviews the dating and meaning of the first-layer frescoes in Saint George Rotunda in Sofia. The angelic worship of Christ in the dome is here interpreted in a liturgical vein, as is indicated by the poses of the angels. This motif can be traced in the churches of the Archbishopric of Ohrid starting from Saint Sophia Cathedral (ca. 1052-56). It is to that ensemble that the Rotunda frescoes are closest in style as well. Thus, they should be viewed in the context of the activities of Archbishop Leo, in whose time the construction and decoration of churches in the Archbishopric of Ohrid reached a new level.
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spelling doaj-art-e46b5807b280453e9a945eaa9a3159012025-01-30T06:36:53ZdeuFaculty of Philosophy, BelgradeZograf0350-13612406-07552023-01-0120234711610.2298/ZOG2347001Z0350-13612347001ZThe first-layer frescoes in the dome of the Rotunda of Saint George in SofiaZakharova Anna0https://orcid.org/0000-0003-3764-171XLomonosov Moscow State University, Moscow, Russia State Institute for Art Studies, Moscow, RussiaThe paper reviews the dating and meaning of the first-layer frescoes in Saint George Rotunda in Sofia. The angelic worship of Christ in the dome is here interpreted in a liturgical vein, as is indicated by the poses of the angels. This motif can be traced in the churches of the Archbishopric of Ohrid starting from Saint Sophia Cathedral (ca. 1052-56). It is to that ensemble that the Rotunda frescoes are closest in style as well. Thus, they should be viewed in the context of the activities of Archbishop Leo, in whose time the construction and decoration of churches in the Archbishopric of Ohrid reached a new level.https://doiserbia.nb.rs/img/doi/0350-1361/2023/0350-13612347001Z.pdfrotunda of saint george in sofiabyzantine paintingbyzantine iconographyimages of worshipping angelsohrid archdiocese
spellingShingle Zakharova Anna
The first-layer frescoes in the dome of the Rotunda of Saint George in Sofia
Zograf
rotunda of saint george in sofia
byzantine painting
byzantine iconography
images of worshipping angels
ohrid archdiocese
title The first-layer frescoes in the dome of the Rotunda of Saint George in Sofia
title_full The first-layer frescoes in the dome of the Rotunda of Saint George in Sofia
title_fullStr The first-layer frescoes in the dome of the Rotunda of Saint George in Sofia
title_full_unstemmed The first-layer frescoes in the dome of the Rotunda of Saint George in Sofia
title_short The first-layer frescoes in the dome of the Rotunda of Saint George in Sofia
title_sort first layer frescoes in the dome of the rotunda of saint george in sofia
topic rotunda of saint george in sofia
byzantine painting
byzantine iconography
images of worshipping angels
ohrid archdiocese
url https://doiserbia.nb.rs/img/doi/0350-1361/2023/0350-13612347001Z.pdf
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