To teach and not to shock. The Czech Brethren’s and Lutherans’ theatre in Leszno as an educational tool - casus of the drama Susanna, ex Danielis 13, tragoedia (1646)

The school theatre in a Protestant gymnasium in Leszno bloomed between 1639 and 1656 thanks to, amongst others, Jan Amos Komenski. One of the plays staged there was a drama Susanna, ex Danielis 13, tragoedia (1646) probably written by Jan Jerzy Szlichtyng who used the virtuous Susanna’s theme from t...

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Main Author: Dariusz Chemperek
Format: Article
Language:deu
Published: Wydawnictwo Naukowe Chrześcijańskiej Akademii Teologicznej w Warszawie (Scientific Publishing House of the Christian Academy of Theology in Warsaw) 2019-06-01
Series:Studia z Teorii Wychowania
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Online Access:http://sztw.chat.edu.pl/gicid/01.3001.0013.5749
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author Dariusz Chemperek
author_facet Dariusz Chemperek
author_sort Dariusz Chemperek
collection DOAJ
description The school theatre in a Protestant gymnasium in Leszno bloomed between 1639 and 1656 thanks to, amongst others, Jan Amos Komenski. One of the plays staged there was a drama Susanna, ex Danielis 13, tragoedia (1646) probably written by Jan Jerzy Szlichtyng who used the virtuous Susanna’s theme from the Bible in an original and yet utilitarian way. The author reduced theological and moral content, present in other adaptations of this theme, in order to focus on showing the stages of court proceedings in Poland, so the young actors – Lesnaeum students – had a chance of gaining some valuable knowledge about the law and practice the useful court rthetoric in Latin. The first act of the play, being an introduction to the main theme of the play (law and rhetoric in court) was taken by Szlichtyng (?) from a neolatin drama of Nikodem Frischlin, namely Susanna comoedia nova (1577). The comparative analysis of the original and the 17th century’s adaptation leads to a conclusion about the decorum of manners in the Protestant gymnasium. The Polish author removed not only the sexual abuse thread – Susanna strongly molested by the elders and forced to prostitution – but also passages from Frischlin regarding the use of rhetoric in ars amandi, as well as the heroine’s tirades proving her intelligence and scriptural erudition. As a result, the elders’ image has been a little whitewashed and Susanna appears solely as a chaste and noble wife. Such a representation of the heroine – honest but not too sophisticated – and elders – cunning but not too lecherous – was in a harmony with the 17th century’s cultural conventionalities unfamiliar with mulier docta and demanding that youth respects the elderly.
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publishDate 2019-06-01
publisher Wydawnictwo Naukowe Chrześcijańskiej Akademii Teologicznej w Warszawie (Scientific Publishing House of the Christian Academy of Theology in Warsaw)
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spelling doaj-art-e44a2df15cf44318a0ad0fa2677e9bc52025-08-20T02:14:39ZdeuWydawnictwo Naukowe Chrześcijańskiej Akademii Teologicznej w Warszawie (Scientific Publishing House of the Christian Academy of Theology in Warsaw)Studia z Teorii Wychowania2083-09982719-40782019-06-01X2 (27)274610.5604/01.3001.0013.574901.3001.0013.5749To teach and not to shock. The Czech Brethren’s and Lutherans’ theatre in Leszno as an educational tool - casus of the drama Susanna, ex Danielis 13, tragoedia (1646)Dariusz Chemperek0Uniwersytet Marii Curie - SkłodowskiejThe school theatre in a Protestant gymnasium in Leszno bloomed between 1639 and 1656 thanks to, amongst others, Jan Amos Komenski. One of the plays staged there was a drama Susanna, ex Danielis 13, tragoedia (1646) probably written by Jan Jerzy Szlichtyng who used the virtuous Susanna’s theme from the Bible in an original and yet utilitarian way. The author reduced theological and moral content, present in other adaptations of this theme, in order to focus on showing the stages of court proceedings in Poland, so the young actors – Lesnaeum students – had a chance of gaining some valuable knowledge about the law and practice the useful court rthetoric in Latin. The first act of the play, being an introduction to the main theme of the play (law and rhetoric in court) was taken by Szlichtyng (?) from a neolatin drama of Nikodem Frischlin, namely Susanna comoedia nova (1577). The comparative analysis of the original and the 17th century’s adaptation leads to a conclusion about the decorum of manners in the Protestant gymnasium. The Polish author removed not only the sexual abuse thread – Susanna strongly molested by the elders and forced to prostitution – but also passages from Frischlin regarding the use of rhetoric in ars amandi, as well as the heroine’s tirades proving her intelligence and scriptural erudition. As a result, the elders’ image has been a little whitewashed and Susanna appears solely as a chaste and noble wife. Such a representation of the heroine – honest but not too sophisticated – and elders – cunning but not too lecherous – was in a harmony with the 17th century’s cultural conventionalities unfamiliar with mulier docta and demanding that youth respects the elderly.http://sztw.chat.edu.pl/gicid/01.3001.0013.5749Protestant school theatreCzech BrethrenLesznoNicodem FrischlinJan Jerzy SzlichtyngBible
spellingShingle Dariusz Chemperek
To teach and not to shock. The Czech Brethren’s and Lutherans’ theatre in Leszno as an educational tool - casus of the drama Susanna, ex Danielis 13, tragoedia (1646)
Studia z Teorii Wychowania
Protestant school theatre
Czech Brethren
Leszno
Nicodem Frischlin
Jan Jerzy Szlichtyng
Bible
title To teach and not to shock. The Czech Brethren’s and Lutherans’ theatre in Leszno as an educational tool - casus of the drama Susanna, ex Danielis 13, tragoedia (1646)
title_full To teach and not to shock. The Czech Brethren’s and Lutherans’ theatre in Leszno as an educational tool - casus of the drama Susanna, ex Danielis 13, tragoedia (1646)
title_fullStr To teach and not to shock. The Czech Brethren’s and Lutherans’ theatre in Leszno as an educational tool - casus of the drama Susanna, ex Danielis 13, tragoedia (1646)
title_full_unstemmed To teach and not to shock. The Czech Brethren’s and Lutherans’ theatre in Leszno as an educational tool - casus of the drama Susanna, ex Danielis 13, tragoedia (1646)
title_short To teach and not to shock. The Czech Brethren’s and Lutherans’ theatre in Leszno as an educational tool - casus of the drama Susanna, ex Danielis 13, tragoedia (1646)
title_sort to teach and not to shock the czech brethren s and lutherans theatre in leszno as an educational tool casus of the drama susanna ex danielis 13 tragoedia 1646
topic Protestant school theatre
Czech Brethren
Leszno
Nicodem Frischlin
Jan Jerzy Szlichtyng
Bible
url http://sztw.chat.edu.pl/gicid/01.3001.0013.5749
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