Les ouvriers au cinéma
The first film in the history (of cinema), La sortie de l’usine Lumière (1895), is also the first film about work. Since then, through fiction, documentary or direct cinema, work, the workmen and their class have given rhythm to all the history of cinema. Unlike the traditional representation of wor...
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| Format: | Article |
| Language: | fra |
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Université de Poitiers
2016-09-01
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| Series: | Images du Travail, Travail des Images |
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| Online Access: | https://journals.openedition.org/itti/1243 |
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| _version_ | 1850026909260316672 |
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| author | Matéo Alaluf |
| author_facet | Matéo Alaluf |
| author_sort | Matéo Alaluf |
| collection | DOAJ |
| description | The first film in the history (of cinema), La sortie de l’usine Lumière (1895), is also the first film about work. Since then, through fiction, documentary or direct cinema, work, the workmen and their class have given rhythm to all the history of cinema. Unlike the traditional representation of work by the skilled, male, worker of the big industry, cinema put diversified workers and activities on stage. The project to "reproduce" by the image the real world was really shaped by the representation of the workmen in cinema. The question was not, by this attempt, to illustrate work by images, nor to think work starting from the images, but was an attempt to think it with images to create new images and thoughts. Then this cinema could open the possibility of a specific language able to widen our intelligence of the world. |
| format | Article |
| id | doaj-art-e4041f74f8f7473cafdcfd58d17c0182 |
| institution | DOAJ |
| issn | 2778-8628 |
| language | fra |
| publishDate | 2016-09-01 |
| publisher | Université de Poitiers |
| record_format | Article |
| series | Images du Travail, Travail des Images |
| spelling | doaj-art-e4041f74f8f7473cafdcfd58d17c01822025-08-20T03:00:23ZfraUniversité de PoitiersImages du Travail, Travail des Images2778-86282016-09-01210.4000/itti.1243Les ouvriers au cinémaMatéo AlalufThe first film in the history (of cinema), La sortie de l’usine Lumière (1895), is also the first film about work. Since then, through fiction, documentary or direct cinema, work, the workmen and their class have given rhythm to all the history of cinema. Unlike the traditional representation of work by the skilled, male, worker of the big industry, cinema put diversified workers and activities on stage. The project to "reproduce" by the image the real world was really shaped by the representation of the workmen in cinema. The question was not, by this attempt, to illustrate work by images, nor to think work starting from the images, but was an attempt to think it with images to create new images and thoughts. Then this cinema could open the possibility of a specific language able to widen our intelligence of the world.https://journals.openedition.org/itti/1243working classsituation of workdirect cinemasocial questionengaged cinemaworkman without class |
| spellingShingle | Matéo Alaluf Les ouvriers au cinéma Images du Travail, Travail des Images working class situation of work direct cinema social question engaged cinema workman without class |
| title | Les ouvriers au cinéma |
| title_full | Les ouvriers au cinéma |
| title_fullStr | Les ouvriers au cinéma |
| title_full_unstemmed | Les ouvriers au cinéma |
| title_short | Les ouvriers au cinéma |
| title_sort | les ouvriers au cinema |
| topic | working class situation of work direct cinema social question engaged cinema workman without class |
| url | https://journals.openedition.org/itti/1243 |
| work_keys_str_mv | AT mateoalaluf lesouvriersaucinema |