« Caminè, caminè » : l’écriture du mouvement dans L’Anconitana d’Angelo Beolco, dit Ruzante
Theatre is the place where words and gestures are combined. In the early sixteenth century, Angelo Beolco, better known as Ruzante, created in his stage writing a poetic use of gesture that affirms the increasing omnipotence of the visual over the textual. The Anconitana, an undated comedy full of m...
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| Format: | Article |
| Language: | fra |
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École Normale Supérieure de Lyon Editions
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| Series: | Laboratoire Italien |
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| Online Access: | https://journals.openedition.org/laboratoireitalien/5722 |
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