Nuda podróżowania, nuda czekania. "Gerry" Gusa Van Santa a teatr Samuela Becketta

Boredom of travelling, boredom of waiting. Gus Van Sant’s “Gerry” and the theatre of Samuel Beckett Jakub Popielecki draws on Roger Ebert’s anecdote and discusses similarities between Gus Van Sant’s Gerry and the theatre of Samuel Beckett. The movie and Beckett’s plays (such as Waiting for Godot) s...

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Main Author: Jakub Popielecki
Format: Article
Language:English
Published: Adam Mickiewicz University Press 2009-06-01
Series:Images
Subjects:
Online Access:https://pressto.amu.edu.pl/index.php/i/article/view/3826
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author Jakub Popielecki
author_facet Jakub Popielecki
author_sort Jakub Popielecki
collection DOAJ
description Boredom of travelling, boredom of waiting. Gus Van Sant’s “Gerry” and the theatre of Samuel Beckett Jakub Popielecki draws on Roger Ebert’s anecdote and discusses similarities between Gus Van Sant’s Gerry and the theatre of Samuel Beckett. The movie and Beckett’s plays (such as Waiting for Godot) share many components: a sexually ambiguous pair of main characters, Buster Keaton’s physical comedy as a source of inspiration and use of wordplay in the title. Is Van Sant’s film a rethinking of “Beat Generation”-inspired road movie mythology? Are the characters played by Matt Damon and Casey Affleck nomads (as described by Gilles Deleuze)? What connects Van Sant’s and Beckett’s works with the phenomenon of boredom? Popielecki sees the minimalist style of these artists as a sign of a new attitude towards the problem of aesthetic experience.
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spelling doaj-art-e39fea77f42244bd81dff5b886d53d4f2025-08-20T02:16:19ZengAdam Mickiewicz University PressImages1731-450X2720-040X2009-06-01713-1410.14746/i.2009.13.14.18Nuda podróżowania, nuda czekania. "Gerry" Gusa Van Santa a teatr Samuela BeckettaJakub Popielecki0Katedra Filmu, Telewizji i Nowych Mediów, Uniwersytet im. Adama Mickiewicza w PoznaniuBoredom of travelling, boredom of waiting. Gus Van Sant’s “Gerry” and the theatre of Samuel Beckett Jakub Popielecki draws on Roger Ebert’s anecdote and discusses similarities between Gus Van Sant’s Gerry and the theatre of Samuel Beckett. The movie and Beckett’s plays (such as Waiting for Godot) share many components: a sexually ambiguous pair of main characters, Buster Keaton’s physical comedy as a source of inspiration and use of wordplay in the title. Is Van Sant’s film a rethinking of “Beat Generation”-inspired road movie mythology? Are the characters played by Matt Damon and Casey Affleck nomads (as described by Gilles Deleuze)? What connects Van Sant’s and Beckett’s works with the phenomenon of boredom? Popielecki sees the minimalist style of these artists as a sign of a new attitude towards the problem of aesthetic experience. https://pressto.amu.edu.pl/index.php/i/article/view/3826Gus Van SantSamuel Beckettboredomnomadroad movieaesthetic experience
spellingShingle Jakub Popielecki
Nuda podróżowania, nuda czekania. "Gerry" Gusa Van Santa a teatr Samuela Becketta
Images
Gus Van Sant
Samuel Beckett
boredom
nomad
road movie
aesthetic experience
title Nuda podróżowania, nuda czekania. "Gerry" Gusa Van Santa a teatr Samuela Becketta
title_full Nuda podróżowania, nuda czekania. "Gerry" Gusa Van Santa a teatr Samuela Becketta
title_fullStr Nuda podróżowania, nuda czekania. "Gerry" Gusa Van Santa a teatr Samuela Becketta
title_full_unstemmed Nuda podróżowania, nuda czekania. "Gerry" Gusa Van Santa a teatr Samuela Becketta
title_short Nuda podróżowania, nuda czekania. "Gerry" Gusa Van Santa a teatr Samuela Becketta
title_sort nuda podrozowania nuda czekania gerry gusa van santa a teatr samuela becketta
topic Gus Van Sant
Samuel Beckett
boredom
nomad
road movie
aesthetic experience
url https://pressto.amu.edu.pl/index.php/i/article/view/3826
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