From one Michael to four. A paleographical approach to the so-called ‘Astrapades’
The present study re-examines the question of the composition of the workshop of the so-called ‘Astrapades’ through a palaeographic analysis of the inscriptions that accompany either their signed works or those attributed to them. The study was prompted by a number of unanswered questions,...
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| Format: | Article |
| Language: | deu |
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Faculty of Philosophy, Belgrade
2023-01-01
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| Series: | Zograf |
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| Online Access: | https://doiserbia.nb.rs/img/doi/0350-1361/2023/0350-13612347057K.pdf |
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| author | Kostić Elena |
| author_facet | Kostić Elena |
| author_sort | Kostić Elena |
| collection | DOAJ |
| description | The present study re-examines the question of the composition of the workshop
of the so-called ‘Astrapades’ through a palaeographic analysis of the
inscriptions that accompany either their signed works or those attributed to
them. The study was prompted by a number of unanswered questions, such as:
why did the painter of the Virgin Peribleptos, Michael Astrapas, suddenly
begin styling himself as ‘Michael Eutychiou’ in his later works in other
monuments? The study’s findings show that the so-called ‘Astrapades’ did not
consist only of Michael Astrapas and Eutychios, as is generally believed,
but actually constituted an artistic workshop with numerous members that
included three painters with the baptismal name Michael. |
| format | Article |
| id | doaj-art-e379365c10e8441fa366e236273b6616 |
| institution | Kabale University |
| issn | 0350-1361 2406-0755 |
| language | deu |
| publishDate | 2023-01-01 |
| publisher | Faculty of Philosophy, Belgrade |
| record_format | Article |
| series | Zograf |
| spelling | doaj-art-e379365c10e8441fa366e236273b66162025-01-30T06:36:53ZdeuFaculty of Philosophy, BelgradeZograf0350-13612406-07552023-01-01202347577810.2298/ZOG2347057K0350-13612347057KFrom one Michael to four. A paleographical approach to the so-called ‘Astrapades’Kostić Elena0nemaThe present study re-examines the question of the composition of the workshop of the so-called ‘Astrapades’ through a palaeographic analysis of the inscriptions that accompany either their signed works or those attributed to them. The study was prompted by a number of unanswered questions, such as: why did the painter of the Virgin Peribleptos, Michael Astrapas, suddenly begin styling himself as ‘Michael Eutychiou’ in his later works in other monuments? The study’s findings show that the so-called ‘Astrapades’ did not consist only of Michael Astrapas and Eutychios, as is generally believed, but actually constituted an artistic workshop with numerous members that included three painters with the baptismal name Michael.https://doiserbia.nb.rs/img/doi/0350-1361/2023/0350-13612347057K.pdfastrapadesmichael astrapaseutychiospaleographical analysismorphology of handwritingking milutinbyzantine painting |
| spellingShingle | Kostić Elena From one Michael to four. A paleographical approach to the so-called ‘Astrapades’ Zograf astrapades michael astrapas eutychios paleographical analysis morphology of handwriting king milutin byzantine painting |
| title | From one Michael to four. A paleographical approach to the so-called ‘Astrapades’ |
| title_full | From one Michael to four. A paleographical approach to the so-called ‘Astrapades’ |
| title_fullStr | From one Michael to four. A paleographical approach to the so-called ‘Astrapades’ |
| title_full_unstemmed | From one Michael to four. A paleographical approach to the so-called ‘Astrapades’ |
| title_short | From one Michael to four. A paleographical approach to the so-called ‘Astrapades’ |
| title_sort | from one michael to four a paleographical approach to the so called astrapades |
| topic | astrapades michael astrapas eutychios paleographical analysis morphology of handwriting king milutin byzantine painting |
| url | https://doiserbia.nb.rs/img/doi/0350-1361/2023/0350-13612347057K.pdf |
| work_keys_str_mv | AT kosticelena fromonemichaeltofourapaleographicalapproachtothesocalledastrapades |