L’exemple de la restauration des luminaires de la synagogue de la Victoire

The restorers in charge of the lusters of the Grande Synagogue in Paris are facing many difficulties : not only do these large metal objects present surface disorders, but also they must be kept in working order and they require high scaffoldings. The debate over the aim of any restoration work is m...

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Main Authors: Nicolas Imbert, Marc Verdure
Format: Article
Language:English
Published: Association CeROArt 2015-03-01
Series:CeROArt : Conservation, Exposition, Restauration d'Objets d'Art
Subjects:
Online Access:https://journals.openedition.org/ceroart/4520
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author Nicolas Imbert
Marc Verdure
author_facet Nicolas Imbert
Marc Verdure
author_sort Nicolas Imbert
collection DOAJ
description The restorers in charge of the lusters of the Grande Synagogue in Paris are facing many difficulties : not only do these large metal objects present surface disorders, but also they must be kept in working order and they require high scaffoldings. The debate over the aim of any restoration work is most relevant and widespread, but dealing with how to re-use historical items means calling for specific workers. Issues of deontology, safety, liturgy, accessibility, are thus permanent topics between restorers and people responsible for the works.
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institution Kabale University
issn 1784-5092
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publishDate 2015-03-01
publisher Association CeROArt
record_format Article
series CeROArt : Conservation, Exposition, Restauration d'Objets d'Art
spelling doaj-art-e2f6d5803c8245848c6113d7aa40f0b32025-01-30T14:14:25ZengAssociation CeROArtCeROArt : Conservation, Exposition, Restauration d'Objets d'Art1784-50922015-03-011010.4000/ceroart.4520L’exemple de la restauration des luminaires de la synagogue de la VictoireNicolas ImbertMarc VerdureThe restorers in charge of the lusters of the Grande Synagogue in Paris are facing many difficulties : not only do these large metal objects present surface disorders, but also they must be kept in working order and they require high scaffoldings. The debate over the aim of any restoration work is most relevant and widespread, but dealing with how to re-use historical items means calling for specific workers. Issues of deontology, safety, liturgy, accessibility, are thus permanent topics between restorers and people responsible for the works.https://journals.openedition.org/ceroart/4520aestheticslaboratoryreconstructionworking ordermetallusters
spellingShingle Nicolas Imbert
Marc Verdure
L’exemple de la restauration des luminaires de la synagogue de la Victoire
CeROArt : Conservation, Exposition, Restauration d'Objets d'Art
aesthetics
laboratory
reconstruction
working order
metal
lusters
title L’exemple de la restauration des luminaires de la synagogue de la Victoire
title_full L’exemple de la restauration des luminaires de la synagogue de la Victoire
title_fullStr L’exemple de la restauration des luminaires de la synagogue de la Victoire
title_full_unstemmed L’exemple de la restauration des luminaires de la synagogue de la Victoire
title_short L’exemple de la restauration des luminaires de la synagogue de la Victoire
title_sort l exemple de la restauration des luminaires de la synagogue de la victoire
topic aesthetics
laboratory
reconstruction
working order
metal
lusters
url https://journals.openedition.org/ceroart/4520
work_keys_str_mv AT nicolasimbert lexempledelarestaurationdesluminairesdelasynagoguedelavictoire
AT marcverdure lexempledelarestaurationdesluminairesdelasynagoguedelavictoire