L’exemple de la restauration des luminaires de la synagogue de la Victoire
The restorers in charge of the lusters of the Grande Synagogue in Paris are facing many difficulties : not only do these large metal objects present surface disorders, but also they must be kept in working order and they require high scaffoldings. The debate over the aim of any restoration work is m...
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Format: | Article |
Language: | English |
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Association CeROArt
2015-03-01
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Series: | CeROArt : Conservation, Exposition, Restauration d'Objets d'Art |
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Online Access: | https://journals.openedition.org/ceroart/4520 |
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author | Nicolas Imbert Marc Verdure |
author_facet | Nicolas Imbert Marc Verdure |
author_sort | Nicolas Imbert |
collection | DOAJ |
description | The restorers in charge of the lusters of the Grande Synagogue in Paris are facing many difficulties : not only do these large metal objects present surface disorders, but also they must be kept in working order and they require high scaffoldings. The debate over the aim of any restoration work is most relevant and widespread, but dealing with how to re-use historical items means calling for specific workers. Issues of deontology, safety, liturgy, accessibility, are thus permanent topics between restorers and people responsible for the works. |
format | Article |
id | doaj-art-e2f6d5803c8245848c6113d7aa40f0b3 |
institution | Kabale University |
issn | 1784-5092 |
language | English |
publishDate | 2015-03-01 |
publisher | Association CeROArt |
record_format | Article |
series | CeROArt : Conservation, Exposition, Restauration d'Objets d'Art |
spelling | doaj-art-e2f6d5803c8245848c6113d7aa40f0b32025-01-30T14:14:25ZengAssociation CeROArtCeROArt : Conservation, Exposition, Restauration d'Objets d'Art1784-50922015-03-011010.4000/ceroart.4520L’exemple de la restauration des luminaires de la synagogue de la VictoireNicolas ImbertMarc VerdureThe restorers in charge of the lusters of the Grande Synagogue in Paris are facing many difficulties : not only do these large metal objects present surface disorders, but also they must be kept in working order and they require high scaffoldings. The debate over the aim of any restoration work is most relevant and widespread, but dealing with how to re-use historical items means calling for specific workers. Issues of deontology, safety, liturgy, accessibility, are thus permanent topics between restorers and people responsible for the works.https://journals.openedition.org/ceroart/4520aestheticslaboratoryreconstructionworking ordermetallusters |
spellingShingle | Nicolas Imbert Marc Verdure L’exemple de la restauration des luminaires de la synagogue de la Victoire CeROArt : Conservation, Exposition, Restauration d'Objets d'Art aesthetics laboratory reconstruction working order metal lusters |
title | L’exemple de la restauration des luminaires de la synagogue de la Victoire |
title_full | L’exemple de la restauration des luminaires de la synagogue de la Victoire |
title_fullStr | L’exemple de la restauration des luminaires de la synagogue de la Victoire |
title_full_unstemmed | L’exemple de la restauration des luminaires de la synagogue de la Victoire |
title_short | L’exemple de la restauration des luminaires de la synagogue de la Victoire |
title_sort | l exemple de la restauration des luminaires de la synagogue de la victoire |
topic | aesthetics laboratory reconstruction working order metal lusters |
url | https://journals.openedition.org/ceroart/4520 |
work_keys_str_mv | AT nicolasimbert lexempledelarestaurationdesluminairesdelasynagoguedelavictoire AT marcverdure lexempledelarestaurationdesluminairesdelasynagoguedelavictoire |