Distracted Present, Golden Past?

According to diverse recurrent cultural diagnoses, networked media is atrophying our affective, cognitive and somatic capacities through its distracting, rapid speeds. Echoing critiques of modernity and media technology voiced since the mid-nineteenth century, these accounts are broadly premised on...

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Main Author: Susanna Paasonen
Format: Article
Language:English
Published: Simon Dawes, Centre d’histoire culturelle des sociétés contemporaines (CHCSC), Université de Versailles Saint-Quentin-en-Yvelines (UVSQ) 2020-12-01
Series:Media Theory
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Online Access:https://journalcontent.mediatheoryjournal.org/index.php/mt/article/view/634
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author Susanna Paasonen
author_facet Susanna Paasonen
author_sort Susanna Paasonen
collection DOAJ
description According to diverse recurrent cultural diagnoses, networked media is atrophying our affective, cognitive and somatic capacities through its distracting, rapid speeds. Echoing critiques of modernity and media technology voiced since the mid-nineteenth century, these accounts are broadly premised on loss in arguing that a general disenchantment is hollowing out our sociability and personal experiences alike. Building on Jane Bennett’s critique of the modern narrative of disenchantment, this article explores ambiguity as a means of resisting totalising accounts of the present, as well as for accounting for the affective complexities involved in our engagements with devices, apps and platforms as these yield different rhythms and experiential horizons of possibility. In doing so, it asks what kinds of figures of the past narratives of loss evoke and what social hierarchies and contextual nuances are effaced when sketching out the mediated present.  
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institution Kabale University
issn 2557-826X
language English
publishDate 2020-12-01
publisher Simon Dawes, Centre d’histoire culturelle des sociétés contemporaines (CHCSC), Université de Versailles Saint-Quentin-en-Yvelines (UVSQ)
record_format Article
series Media Theory
spelling doaj-art-e2cecc1f5fdf48deabab5778ba3200072025-08-20T03:25:04ZengSimon Dawes, Centre d’histoire culturelle des sociétés contemporaines (CHCSC), Université de Versailles Saint-Quentin-en-Yvelines (UVSQ)Media Theory2557-826X2020-12-014210.70064/mt.v4i2.634Distracted Present, Golden Past?Susanna Paasonen According to diverse recurrent cultural diagnoses, networked media is atrophying our affective, cognitive and somatic capacities through its distracting, rapid speeds. Echoing critiques of modernity and media technology voiced since the mid-nineteenth century, these accounts are broadly premised on loss in arguing that a general disenchantment is hollowing out our sociability and personal experiences alike. Building on Jane Bennett’s critique of the modern narrative of disenchantment, this article explores ambiguity as a means of resisting totalising accounts of the present, as well as for accounting for the affective complexities involved in our engagements with devices, apps and platforms as these yield different rhythms and experiential horizons of possibility. In doing so, it asks what kinds of figures of the past narratives of loss evoke and what social hierarchies and contextual nuances are effaced when sketching out the mediated present.   https://journalcontent.mediatheoryjournal.org/index.php/mt/article/view/634disenchantmentdistractionmodernityexcitementambiguityeveryday life
spellingShingle Susanna Paasonen
Distracted Present, Golden Past?
Media Theory
disenchantment
distraction
modernity
excitement
ambiguity
everyday life
title Distracted Present, Golden Past?
title_full Distracted Present, Golden Past?
title_fullStr Distracted Present, Golden Past?
title_full_unstemmed Distracted Present, Golden Past?
title_short Distracted Present, Golden Past?
title_sort distracted present golden past
topic disenchantment
distraction
modernity
excitement
ambiguity
everyday life
url https://journalcontent.mediatheoryjournal.org/index.php/mt/article/view/634
work_keys_str_mv AT susannapaasonen distractedpresentgoldenpast