D’une rive l’autre : questions de génétique et poétique

In this article, we will ask to what extent a genetic approach, which postulates that “text doesn’t exist”, implying the necessity of going upstream, to before the text is printed, wouldn’t actually go against this literature of the Congo River which, on the contrary, postulates, through the image o...

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Main Author: Nicolas Martin-Granel
Format: Article
Language:English
Published: Institut des textes & manuscrits modernes (ITEM) 2020-10-01
Series:Continents manuscrits
Subjects:
Online Access:https://journals.openedition.org/coma/6277
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author Nicolas Martin-Granel
author_facet Nicolas Martin-Granel
author_sort Nicolas Martin-Granel
collection DOAJ
description In this article, we will ask to what extent a genetic approach, which postulates that “text doesn’t exist”, implying the necessity of going upstream, to before the text is printed, wouldn’t actually go against this literature of the Congo River which, on the contrary, postulates, through the image of a continuous, dynamic, and irreversible flux which “defenestrates itself in the Ocean”, that the draft or the “avant-text” does not need be. In fact, through serendipitous encounters with texts, terrains, and artists of both shores of the Congo, we realize that this inextricable tension between the poetic katabasis and genetic anabasis over-determines the undisciplined and multiforme “river-like” dynamic carried through all artistic practices, from writing to the visual arts, living or performance art, and this, according to the global model of “l’Art salvateur” with no origin and no end.
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spelling doaj-art-e26353edaf2f458aa94cd11787ee7e192025-08-20T01:55:18ZengInstitut des textes & manuscrits modernes (ITEM)Continents manuscrits2275-17422020-10-011510.4000/coma.6277D’une rive l’autre : questions de génétique et poétiqueNicolas Martin-GranelIn this article, we will ask to what extent a genetic approach, which postulates that “text doesn’t exist”, implying the necessity of going upstream, to before the text is printed, wouldn’t actually go against this literature of the Congo River which, on the contrary, postulates, through the image of a continuous, dynamic, and irreversible flux which “defenestrates itself in the Ocean”, that the draft or the “avant-text” does not need be. In fact, through serendipitous encounters with texts, terrains, and artists of both shores of the Congo, we realize that this inextricable tension between the poetic katabasis and genetic anabasis over-determines the undisciplined and multiforme “river-like” dynamic carried through all artistic practices, from writing to the visual arts, living or performance art, and this, according to the global model of “l’Art salvateur” with no origin and no end.https://journals.openedition.org/coma/6277Gobal CongoPoetic KatabasisGenetic AnabasisKairosSerge AmisiSinzo Aanza
spellingShingle Nicolas Martin-Granel
D’une rive l’autre : questions de génétique et poétique
Continents manuscrits
Gobal Congo
Poetic Katabasis
Genetic Anabasis
Kairos
Serge Amisi
Sinzo Aanza
title D’une rive l’autre : questions de génétique et poétique
title_full D’une rive l’autre : questions de génétique et poétique
title_fullStr D’une rive l’autre : questions de génétique et poétique
title_full_unstemmed D’une rive l’autre : questions de génétique et poétique
title_short D’une rive l’autre : questions de génétique et poétique
title_sort d une rive l autre questions de genetique et poetique
topic Gobal Congo
Poetic Katabasis
Genetic Anabasis
Kairos
Serge Amisi
Sinzo Aanza
url https://journals.openedition.org/coma/6277
work_keys_str_mv AT nicolasmartingranel dunerivelautrequestionsdegenetiqueetpoetique