Deviating memories: Armando Lulaj’s seriously playful excursions into Albania’s history
This paper examines how certain contemporary audio-visual works from post-socialist countries in the Balkan region, employ archival footage from the communist period, to address and problematize the notion of remembering and suppressing national history through collective memory. I specifically foc...
Saved in:
| Main Author: | Ana Grgic |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Adam Mickiewicz University Press
2018-12-01
|
| Series: | Images |
| Subjects: | |
| Online Access: | https://pressto.amu.edu.pl/index.php/i/article/view/17073 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
Świat przed Zagładą. Tajemnica istnienia archiwalnego obrazu filmowego we współczesnej strukturze filmowej na przykładzie filmu Po-lin. Okruchy pamięci Jolanty Dylewskiej
by: Maciej Kozłowski
Published: (2015-06-01) -
Nostalgia and Archival Footage in Contemporary Hungarian Documentary (Gábor Zsigmond Papp: "The Life of an Agent")
by: Terez Vincze
Published: (2014-06-01) -
Nowy dokument historyczny
by: Marek Hendrykowski
Published: (2015-06-01) -
Archival Characters: Incorporating History in Thomas Pynchon’s V. and Toni Morrison’s Beloved
by: LeAnn Stevens-Larré
Published: (2017-12-01) -
Przekształcanie pamięci. Found footage jak machina kulturowej reinterpretacji
by: Marta Giec
Published: (2015-06-01)