Śmierć człowieka skomodyfikowanego we wspomnieniach „ostatniego czarnego ładunku”. Barracoon Zory Neale Hurston
The author of this paper examines Cudjo “Kossola” Lewis’ memoir, written down by Zora Neale Hurston in 'Barracoon: The Story of the Last „Black Cargo”', in the context of Stephanie "Smallwood’s Saltwater Slavery: A Middle Passage From Africa to American Diaspora" to describe the...
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| Format: | Article |
| Language: | deu |
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University of Szczecin Press
2024-01-01
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| Series: | Autobiografia |
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| Online Access: | https://wnus.usz.edu.pl/au/pl/issue/1479/article/21284/ |
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| Summary: | The author of this paper examines Cudjo “Kossola” Lewis’ memoir, written down by Zora Neale Hurston in 'Barracoon: The Story of the Last „Black Cargo”', in the context of Stephanie "Smallwood’s Saltwater Slavery: A Middle Passage From Africa to American Diaspora" to describe the process of commodification of Cudjo and Africans who arrived in the USA in 1860 onboard "Clotilda", the last known slave ship. The author analyzes the subsequent phases of changing Kossola’s subjective status and social death in Africa and the country of forced emigration. Also, the article presents Kossola's means for integrating into America's social structure following Emancipation. |
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| ISSN: | 2353-8694 |