Du flow binaire au flow polyrythmique, « de la rime scolaire à la rime rappeuse » : une histoire des performances formelles dans le rap en France de Chagrin d’amour à Ärsenik
Flow and rhyme, the most common avatars of rhythm in rap, have come a long way in France since Sidney’s imitations of American rap in the early 1980’s. Analysing the rapological practices of Chagrin d’amour, Dee Nasty, IAM and Ärsenik which testify to major changes in many performances recorded in t...
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| Format: | Article |
| Language: | fra |
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Pléiade (EA 7338)
2021-12-01
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| Series: | Itinéraires |
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| Online Access: | https://journals.openedition.org/itineraires/9222 |
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| author | Idir Mahiou |
| author_facet | Idir Mahiou |
| author_sort | Idir Mahiou |
| collection | DOAJ |
| description | Flow and rhyme, the most common avatars of rhythm in rap, have come a long way in France since Sidney’s imitations of American rap in the early 1980’s. Analysing the rapological practices of Chagrin d’amour, Dee Nasty, IAM and Ärsenik which testify to major changes in many performances recorded in their time, this article offers a compendious description of their evolution, a synthetic chronicle of oratorical and rhyming performances in rap in France, from their genesis from American rap in the 1980’s to the relative stabilization of their formal advances in the early 2000s. During these two essential decades, rap in France gradually forged its formal identity by differentiating itself from the American model and shifting to a French linguistic and cultural background, and went through a “golden age” during which it developed its own complex rhythmic devices that still characterize the discipline today. |
| format | Article |
| id | doaj-art-e155fb26a7d3476a9ccc043c648c5468 |
| institution | Kabale University |
| issn | 2427-920X |
| language | fra |
| publishDate | 2021-12-01 |
| publisher | Pléiade (EA 7338) |
| record_format | Article |
| series | Itinéraires |
| spelling | doaj-art-e155fb26a7d3476a9ccc043c648c54682025-08-20T03:47:44ZfraPléiade (EA 7338)Itinéraires2427-920X2021-12-012020310.4000/itineraires.9222Du flow binaire au flow polyrythmique, « de la rime scolaire à la rime rappeuse » : une histoire des performances formelles dans le rap en France de Chagrin d’amour à ÄrsenikIdir MahiouFlow and rhyme, the most common avatars of rhythm in rap, have come a long way in France since Sidney’s imitations of American rap in the early 1980’s. Analysing the rapological practices of Chagrin d’amour, Dee Nasty, IAM and Ärsenik which testify to major changes in many performances recorded in their time, this article offers a compendious description of their evolution, a synthetic chronicle of oratorical and rhyming performances in rap in France, from their genesis from American rap in the 1980’s to the relative stabilization of their formal advances in the early 2000s. During these two essential decades, rap in France gradually forged its formal identity by differentiating itself from the American model and shifting to a French linguistic and cultural background, and went through a “golden age” during which it developed its own complex rhythmic devices that still characterize the discipline today.https://journals.openedition.org/itineraires/9222flowrhymehistory of raprap in Franceformal identity |
| spellingShingle | Idir Mahiou Du flow binaire au flow polyrythmique, « de la rime scolaire à la rime rappeuse » : une histoire des performances formelles dans le rap en France de Chagrin d’amour à Ärsenik Itinéraires flow rhyme history of rap rap in France formal identity |
| title | Du flow binaire au flow polyrythmique, « de la rime scolaire à la rime rappeuse » : une histoire des performances formelles dans le rap en France de Chagrin d’amour à Ärsenik |
| title_full | Du flow binaire au flow polyrythmique, « de la rime scolaire à la rime rappeuse » : une histoire des performances formelles dans le rap en France de Chagrin d’amour à Ärsenik |
| title_fullStr | Du flow binaire au flow polyrythmique, « de la rime scolaire à la rime rappeuse » : une histoire des performances formelles dans le rap en France de Chagrin d’amour à Ärsenik |
| title_full_unstemmed | Du flow binaire au flow polyrythmique, « de la rime scolaire à la rime rappeuse » : une histoire des performances formelles dans le rap en France de Chagrin d’amour à Ärsenik |
| title_short | Du flow binaire au flow polyrythmique, « de la rime scolaire à la rime rappeuse » : une histoire des performances formelles dans le rap en France de Chagrin d’amour à Ärsenik |
| title_sort | du flow binaire au flow polyrythmique de la rime scolaire a la rime rappeuse une histoire des performances formelles dans le rap en france de chagrin d amour a arsenik |
| topic | flow rhyme history of rap rap in France formal identity |
| url | https://journals.openedition.org/itineraires/9222 |
| work_keys_str_mv | AT idirmahiou duflowbinaireauflowpolyrythmiquedelarimescolairealarimerappeuseunehistoiredesperformancesformellesdanslerapenfrancedechagrindamouraarsenik |