Le cas du metal symphonique, entre dégénérescence d’un art de l’extrême et exaltation du culte de la puissance

Born in the late 1990’s, symphonic metal is a genre which divides metal amateurs. This uncomfortable status is due in particular to its composite dimension, which blends an orchestra with the traditional metal formation. After sketching a definition of symphonic metal, this article considers the sou...

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Main Author: Jason Julliot
Format: Article
Language:English
Published: Criminocorpus 2018-10-01
Series:Criminocorpus
Subjects:
Online Access:https://journals.openedition.org/criminocorpus/4127
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author Jason Julliot
author_facet Jason Julliot
author_sort Jason Julliot
collection DOAJ
description Born in the late 1990’s, symphonic metal is a genre which divides metal amateurs. This uncomfortable status is due in particular to its composite dimension, which blends an orchestra with the traditional metal formation. After sketching a definition of symphonic metal, this article considers the sound radicality issues in the heavy metal : by reversing the balance in favour of classical instruments and by integrating female singers (potentially lyrical), symphonic metal appears to be a non-violent genre, incompatible with what is the essence of heavy metal music. However, by adding all the power of a symphony orchestra to the metal band, by appropriating the codes of neo-Hollywood symphonism, and by designing oversized gigs, the symphonic metal musician seems to be part of a “cult of power”.
format Article
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issn 2108-6907
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spelling doaj-art-e071d5bdda5346539025a622148f7b0f2025-01-06T09:14:38ZengCriminocorpusCriminocorpus2108-69072018-10-011110.4000/criminocorpus.4127Le cas du metal symphonique, entre dégénérescence d’un art de l’extrême et exaltation du culte de la puissanceJason JulliotBorn in the late 1990’s, symphonic metal is a genre which divides metal amateurs. This uncomfortable status is due in particular to its composite dimension, which blends an orchestra with the traditional metal formation. After sketching a definition of symphonic metal, this article considers the sound radicality issues in the heavy metal : by reversing the balance in favour of classical instruments and by integrating female singers (potentially lyrical), symphonic metal appears to be a non-violent genre, incompatible with what is the essence of heavy metal music. However, by adding all the power of a symphony orchestra to the metal band, by appropriating the codes of neo-Hollywood symphonism, and by designing oversized gigs, the symphonic metal musician seems to be part of a “cult of power”.https://journals.openedition.org/criminocorpus/4127violencesymphonic metalfilm scorepowermusicology
spellingShingle Jason Julliot
Le cas du metal symphonique, entre dégénérescence d’un art de l’extrême et exaltation du culte de la puissance
Criminocorpus
violence
symphonic metal
film score
power
musicology
title Le cas du metal symphonique, entre dégénérescence d’un art de l’extrême et exaltation du culte de la puissance
title_full Le cas du metal symphonique, entre dégénérescence d’un art de l’extrême et exaltation du culte de la puissance
title_fullStr Le cas du metal symphonique, entre dégénérescence d’un art de l’extrême et exaltation du culte de la puissance
title_full_unstemmed Le cas du metal symphonique, entre dégénérescence d’un art de l’extrême et exaltation du culte de la puissance
title_short Le cas du metal symphonique, entre dégénérescence d’un art de l’extrême et exaltation du culte de la puissance
title_sort le cas du metal symphonique entre degenerescence d un art de l extreme et exaltation du culte de la puissance
topic violence
symphonic metal
film score
power
musicology
url https://journals.openedition.org/criminocorpus/4127
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