« Les Arcadies de Sir Philip Sidney et de Tom Stoppard »

Although Tom Stoppard’s Arcadia only seems to share a title with Sidney’s Elizabethan pastoral romances, the two works prove to raise common questions. The present article does not aim at uncovering echoes of Sidney’s Arcadias in Stoppard’s play but explores the Arcadian place as a contradictory spa...

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Main Author: Anne-Valérie Dulac
Format: Article
Language:English
Published: Centre de Recherche "Texte et Critique de Texte" 2011-12-01
Series:Sillages Critiques
Subjects:
Online Access:https://journals.openedition.org/sillagescritiques/2426
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author Anne-Valérie Dulac
author_facet Anne-Valérie Dulac
author_sort Anne-Valérie Dulac
collection DOAJ
description Although Tom Stoppard’s Arcadia only seems to share a title with Sidney’s Elizabethan pastoral romances, the two works prove to raise common questions. The present article does not aim at uncovering echoes of Sidney’s Arcadias in Stoppard’s play but explores the Arcadian place as a contradictory space built upon jarring geographical and literary assumptions. From Sidley Park to Kalander and Basilius’s houses, Arcadian country-houses convey both a poetic potential and a political reflexion on their foundations. Hinging upon recent criticisms voiced by cultural materialists, the frontiers and boundaries of both representations of the Arcadia are here questioned and paralleled.
format Article
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institution Kabale University
issn 1272-3819
1969-6302
language English
publishDate 2011-12-01
publisher Centre de Recherche "Texte et Critique de Texte"
record_format Article
series Sillages Critiques
spelling doaj-art-dfea1929987b432283ece0cc469215322025-01-30T13:46:35ZengCentre de Recherche "Texte et Critique de Texte"Sillages Critiques1272-38191969-63022011-12-011310.4000/sillagescritiques.2426« Les Arcadies de Sir Philip Sidney et de Tom Stoppard »Anne-Valérie DulacAlthough Tom Stoppard’s Arcadia only seems to share a title with Sidney’s Elizabethan pastoral romances, the two works prove to raise common questions. The present article does not aim at uncovering echoes of Sidney’s Arcadias in Stoppard’s play but explores the Arcadian place as a contradictory space built upon jarring geographical and literary assumptions. From Sidley Park to Kalander and Basilius’s houses, Arcadian country-houses convey both a poetic potential and a political reflexion on their foundations. Hinging upon recent criticisms voiced by cultural materialists, the frontiers and boundaries of both representations of the Arcadia are here questioned and paralleled.https://journals.openedition.org/sillagescritiques/2426pastoralSir Philip SidneyThe Old ArcadiaThe New Arcadiacountry-house poetryRaymond Williams
spellingShingle Anne-Valérie Dulac
« Les Arcadies de Sir Philip Sidney et de Tom Stoppard »
Sillages Critiques
pastoral
Sir Philip Sidney
The Old Arcadia
The New Arcadia
country-house poetry
Raymond Williams
title « Les Arcadies de Sir Philip Sidney et de Tom Stoppard »
title_full « Les Arcadies de Sir Philip Sidney et de Tom Stoppard »
title_fullStr « Les Arcadies de Sir Philip Sidney et de Tom Stoppard »
title_full_unstemmed « Les Arcadies de Sir Philip Sidney et de Tom Stoppard »
title_short « Les Arcadies de Sir Philip Sidney et de Tom Stoppard »
title_sort les arcadies de sir philip sidney et de tom stoppard
topic pastoral
Sir Philip Sidney
The Old Arcadia
The New Arcadia
country-house poetry
Raymond Williams
url https://journals.openedition.org/sillagescritiques/2426
work_keys_str_mv AT annevaleriedulac lesarcadiesdesirphilipsidneyetdetomstoppard