Theatrical Mise-En-Scene In Film Form
The study reflects on divergence between theatre and film. It also points out that the difference ought to be sought in ontology, in the principle of the coding of actual reality by using film or theatrical language. In the perception of a syncretic work that connects the elements of both types of a...
Saved in:
| Main Author: | Sabol Ján |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Slovak Academy of Sciences, Institute of Theatre and Film Research of The Art Research Centre
2018-09-01
|
| Series: | Slovenské divadlo |
| Subjects: | |
| Online Access: | http://www.degruyter.com/view/j/sd.2018.66.issue-3/sd-2018-0017/sd-2018-0017.xml?format=INT |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
Problems of Theatrical and Cinematographic Reception of Demons by Fyodor Dostoevsky
by: Andrei O. Nasedkin
Published: (2025-03-01) -
Yeats et le mélange des genres : du texte à la scène
by: Pierre Longuenesse
Published: (2015-05-01) -
Współczesna polska muzyka teatralna
by: Magdalena Figzał
Published: (2020-12-01) -
The drama of the soundtrack in Al Ressala film as a model
by: Seerwan Mohemmad Mustafa, et al.
Published: (2021-02-01) -
Tempering Feydeau: Twisting and Guilty Pleasures on the London Stage (1893-1897)
by: Violaine Heyraud
Published: (2017-11-01)