Nuove considerazioni sulla Tribuna di Antonello Gagini: l’incisione di De Loya (1701) e le paraste nella Cappella di Santa Rosalia

This study contributes to clarify certain aspects of Antonello Gagini's marble Tribune for the Cathedral of Palermo through the analysis of the 1701 engraving by Diego De Loya and the comparison between this and other iconographic, textual and material sources. Furthermore, through the analysis...

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Main Author: Sara Bagnati
Format: Article
Language:English
Published: Dipartimento di Comunicazione e Didattica dell'Arte 2024-12-01
Series:Papireto
Online Access:https://papireto.accademiadipalermo.it/wp-content/uploads/2024/11/Papireto-3-2024-pp-27-40.pdf
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author Sara Bagnati
author_facet Sara Bagnati
author_sort Sara Bagnati
collection DOAJ
description This study contributes to clarify certain aspects of Antonello Gagini's marble Tribune for the Cathedral of Palermo through the analysis of the 1701 engraving by Diego De Loya and the comparison between this and other iconographic, textual and material sources. Furthermore, through the analysis of decorations and frames of the pilasters of the dismembered Tribune, placed in the Chapel of Santa Rosalia since 1801 ca., it is revealed that the pilasters we see today are the result of a 19th-century assemblage and that through the study of the cuts in the marble, it is possible to trace their original appearance and hypothesize their placement in the monument.
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id doaj-art-def698989f2d443fa18de973a3899fb4
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publishDate 2024-12-01
publisher Dipartimento di Comunicazione e Didattica dell'Arte
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spelling doaj-art-def698989f2d443fa18de973a3899fb42025-08-20T02:49:12ZengDipartimento di Comunicazione e Didattica dell'ArtePapireto2974-668X2024-12-0132740https://doi.org/10.57661/PAPIRETO/0302Nuove considerazioni sulla Tribuna di Antonello Gagini: l’incisione di De Loya (1701) e le paraste nella Cappella di Santa Rosalia Sara Bagnati0Accademia di Belle Arti di PalermoThis study contributes to clarify certain aspects of Antonello Gagini's marble Tribune for the Cathedral of Palermo through the analysis of the 1701 engraving by Diego De Loya and the comparison between this and other iconographic, textual and material sources. Furthermore, through the analysis of decorations and frames of the pilasters of the dismembered Tribune, placed in the Chapel of Santa Rosalia since 1801 ca., it is revealed that the pilasters we see today are the result of a 19th-century assemblage and that through the study of the cuts in the marble, it is possible to trace their original appearance and hypothesize their placement in the monument. https://papireto.accademiadipalermo.it/wp-content/uploads/2024/11/Papireto-3-2024-pp-27-40.pdf
spellingShingle Sara Bagnati
Nuove considerazioni sulla Tribuna di Antonello Gagini: l’incisione di De Loya (1701) e le paraste nella Cappella di Santa Rosalia
Papireto
title Nuove considerazioni sulla Tribuna di Antonello Gagini: l’incisione di De Loya (1701) e le paraste nella Cappella di Santa Rosalia
title_full Nuove considerazioni sulla Tribuna di Antonello Gagini: l’incisione di De Loya (1701) e le paraste nella Cappella di Santa Rosalia
title_fullStr Nuove considerazioni sulla Tribuna di Antonello Gagini: l’incisione di De Loya (1701) e le paraste nella Cappella di Santa Rosalia
title_full_unstemmed Nuove considerazioni sulla Tribuna di Antonello Gagini: l’incisione di De Loya (1701) e le paraste nella Cappella di Santa Rosalia
title_short Nuove considerazioni sulla Tribuna di Antonello Gagini: l’incisione di De Loya (1701) e le paraste nella Cappella di Santa Rosalia
title_sort nuove considerazioni sulla tribuna di antonello gagini l incisione di de loya 1701 e le paraste nella cappella di santa rosalia
url https://papireto.accademiadipalermo.it/wp-content/uploads/2024/11/Papireto-3-2024-pp-27-40.pdf
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