Humans as Resources: Commodification of People in Ready, Set, Love (2024)

In 2024, Netflix aired its new addition to the already flourishing genre of dystopian TV series. Ready, Set, Love is a Thai comedy romance show set in a world where an epidemic has all but wiped-out men and lowered the birthrate of baby boys to just 1%, turning men into a coveted treasure. Protected...

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Main Author: Valentina Markasović
Format: Article
Language:English
Published: University of Zadar 2025-06-01
Series:[sic]
Online Access:http://www.sic-journal.org/ArticleView.aspx?aid=793
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author Valentina Markasović
author_facet Valentina Markasović
author_sort Valentina Markasović
collection DOAJ
description In 2024, Netflix aired its new addition to the already flourishing genre of dystopian TV series. Ready, Set, Love is a Thai comedy romance show set in a world where an epidemic has all but wiped-out men and lowered the birthrate of baby boys to just 1%, turning men into a coveted treasure. Protected at all times, men live in an isolated area called The Farm, and they find partners via the eponymous dating show. The plot intertwines the love story with a gradual exposure of sinister governmental machinations ubiquitous to dystopia. This article aims to analyze how both the game show and the governmental regime objectify and commodify people to gain commercial profit and biopolitical power. The levels of objectification will be examined through the lens of Marxist postulates and reality television scholarship on the one hand and Foucauldian biopolitics on the other.Keywords: biopolitics, commodification, dystopia, Ready, Set, Love, reality television
format Article
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institution Kabale University
issn 1847-7755
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publishDate 2025-06-01
publisher University of Zadar
record_format Article
series [sic]
spelling doaj-art-de2829ed3e9e48e0adf2f50af536f77b2025-08-20T03:30:14ZengUniversity of Zadar[sic]1847-77552025-06-0115210.15291/sic/2.15.lc.4793Humans as Resources: Commodification of People in Ready, Set, Love (2024)Valentina MarkasovićIn 2024, Netflix aired its new addition to the already flourishing genre of dystopian TV series. Ready, Set, Love is a Thai comedy romance show set in a world where an epidemic has all but wiped-out men and lowered the birthrate of baby boys to just 1%, turning men into a coveted treasure. Protected at all times, men live in an isolated area called The Farm, and they find partners via the eponymous dating show. The plot intertwines the love story with a gradual exposure of sinister governmental machinations ubiquitous to dystopia. This article aims to analyze how both the game show and the governmental regime objectify and commodify people to gain commercial profit and biopolitical power. The levels of objectification will be examined through the lens of Marxist postulates and reality television scholarship on the one hand and Foucauldian biopolitics on the other.Keywords: biopolitics, commodification, dystopia, Ready, Set, Love, reality televisionhttp://www.sic-journal.org/ArticleView.aspx?aid=793
spellingShingle Valentina Markasović
Humans as Resources: Commodification of People in Ready, Set, Love (2024)
[sic]
title Humans as Resources: Commodification of People in Ready, Set, Love (2024)
title_full Humans as Resources: Commodification of People in Ready, Set, Love (2024)
title_fullStr Humans as Resources: Commodification of People in Ready, Set, Love (2024)
title_full_unstemmed Humans as Resources: Commodification of People in Ready, Set, Love (2024)
title_short Humans as Resources: Commodification of People in Ready, Set, Love (2024)
title_sort humans as resources commodification of people in ready set love 2024
url http://www.sic-journal.org/ArticleView.aspx?aid=793
work_keys_str_mv AT valentinamarkasovic humansasresourcescommodificationofpeopleinreadysetlove2024