O możliwościach czytania dzieła operowego
Elżbieta Nowicka’s book Zapisane w operze. Studia z historii i estetyki opery (Wydawnictwo Poznańskie 2012) [Written in opera. The studies from history and aesthetics of opera] is an attempt to read the ideas, myths and idioms of culture enshrined in works of opera from the 17th to the 20th century....
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| Format: | Article |
| Language: | Polish |
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Adam Mickiewicz University
2015-12-01
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| Series: | Przestrzenie Teorii |
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| Online Access: | http://pressto.amu.edu.pl/index.php/pt/article/view/4929 |
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| _version_ | 1849471853369753600 |
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| author | Anna Wypych-Gawrońska |
| author_facet | Anna Wypych-Gawrońska |
| author_sort | Anna Wypych-Gawrońska |
| collection | DOAJ |
| description | Elżbieta Nowicka’s book Zapisane w operze. Studia z historii i estetyki opery (Wydawnictwo Poznańskie 2012) [Written in opera. The studies from history and aesthetics of opera] is an attempt to read the ideas, myths and idioms of culture enshrined in works of opera from the 17th to the 20th century. This process of registering takes place on several levels of operatic works: in the librettos, the music and in their staging. It is thanks to these that operas often prove to be the most interesting expression of the presence of myths and ideas in culture, and Elżbieta Nowicka’s book encourages the reader to return to such works. |
| format | Article |
| id | doaj-art-ddf392c07da84ce08e246b7891f5fc7b |
| institution | Kabale University |
| issn | 1644-6763 2450-5765 |
| language | Polish |
| publishDate | 2015-12-01 |
| publisher | Adam Mickiewicz University |
| record_format | Article |
| series | Przestrzenie Teorii |
| spelling | doaj-art-ddf392c07da84ce08e246b7891f5fc7b2025-08-20T03:24:40ZpolAdam Mickiewicz UniversityPrzestrzenie Teorii1644-67632450-57652015-12-012437738910.14746/pt.2015.24.194883O możliwościach czytania dzieła operowegoAnna Wypych-GawrońskaElżbieta Nowicka’s book Zapisane w operze. Studia z historii i estetyki opery (Wydawnictwo Poznańskie 2012) [Written in opera. The studies from history and aesthetics of opera] is an attempt to read the ideas, myths and idioms of culture enshrined in works of opera from the 17th to the 20th century. This process of registering takes place on several levels of operatic works: in the librettos, the music and in their staging. It is thanks to these that operas often prove to be the most interesting expression of the presence of myths and ideas in culture, and Elżbieta Nowicka’s book encourages the reader to return to such works.http://pressto.amu.edu.pl/index.php/pt/article/view/4929Operalibrettomuzykateatrhistoria kultury |
| spellingShingle | Anna Wypych-Gawrońska O możliwościach czytania dzieła operowego Przestrzenie Teorii Opera libretto muzyka teatr historia kultury |
| title | O możliwościach czytania dzieła operowego |
| title_full | O możliwościach czytania dzieła operowego |
| title_fullStr | O możliwościach czytania dzieła operowego |
| title_full_unstemmed | O możliwościach czytania dzieła operowego |
| title_short | O możliwościach czytania dzieła operowego |
| title_sort | o mozliwosciach czytania dziela operowego |
| topic | Opera libretto muzyka teatr historia kultury |
| url | http://pressto.amu.edu.pl/index.php/pt/article/view/4929 |
| work_keys_str_mv | AT annawypychgawronska omozliwosciachczytaniadziełaoperowego |