Autoproiecţie şi univers ficţional în „Istoria ieroglifică”

Focused on as a representative text whose semantic and structural complexity still points out its contemporary outstanding place within the critical discourse and the diachronic dynamics of the literary forms, Istoria ieroglifică depicts an authorial discourse rooted in the self-projective compensat...

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Main Author: Simona Antofi
Format: Article
Language:deu
Published: Editura Academiei Române 2013-12-01
Series:Revista de Istorie și Teorie Literară
Subjects:
Online Access:https://ritl.ro/pdf/2013/12_S_Antofi.pdf
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author Simona Antofi
author_facet Simona Antofi
author_sort Simona Antofi
collection DOAJ
description Focused on as a representative text whose semantic and structural complexity still points out its contemporary outstanding place within the critical discourse and the diachronic dynamics of the literary forms, Istoria ieroglifică depicts an authorial discourse rooted in the self-projective compensatory power of geniality as well as an allegorically encoded image of the world. From this double perspective, our study approaches the fictional mechanisms which textually generate the construction of a unique authorial image as well as of a multi-faceted complex discourse. By using the contemporary critical strategies, this type of analysis will surely redefine a text whose aesthetic value makes the Romanian literature representative within the European literary dynamics.
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publisher Editura Academiei Române
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series Revista de Istorie și Teorie Literară
spelling doaj-art-dd6c8a26247c4a13a6265a97b76970eb2025-08-20T02:45:10ZdeuEditura Academiei RomâneRevista de Istorie și Teorie Literară0034-83923061-42012013-12-0171-4129134Autoproiecţie şi univers ficţional în „Istoria ieroglifică”Simona Antofi0Facultatea de Litere, Universitatea „Dunărea de Jos” din GalaţiFocused on as a representative text whose semantic and structural complexity still points out its contemporary outstanding place within the critical discourse and the diachronic dynamics of the literary forms, Istoria ieroglifică depicts an authorial discourse rooted in the self-projective compensatory power of geniality as well as an allegorically encoded image of the world. From this double perspective, our study approaches the fictional mechanisms which textually generate the construction of a unique authorial image as well as of a multi-faceted complex discourse. By using the contemporary critical strategies, this type of analysis will surely redefine a text whose aesthetic value makes the Romanian literature representative within the European literary dynamics.https://ritl.ro/pdf/2013/12_S_Antofi.pdfliterary formsfictional mechanismsallegoryauthorial discourseauthorial image
spellingShingle Simona Antofi
Autoproiecţie şi univers ficţional în „Istoria ieroglifică”
Revista de Istorie și Teorie Literară
literary forms
fictional mechanisms
allegory
authorial discourse
authorial image
title Autoproiecţie şi univers ficţional în „Istoria ieroglifică”
title_full Autoproiecţie şi univers ficţional în „Istoria ieroglifică”
title_fullStr Autoproiecţie şi univers ficţional în „Istoria ieroglifică”
title_full_unstemmed Autoproiecţie şi univers ficţional în „Istoria ieroglifică”
title_short Autoproiecţie şi univers ficţional în „Istoria ieroglifică”
title_sort autoproiectie si univers fictional in istoria ieroglifica
topic literary forms
fictional mechanisms
allegory
authorial discourse
authorial image
url https://ritl.ro/pdf/2013/12_S_Antofi.pdf
work_keys_str_mv AT simonaantofi autoproiectiesiuniversfictionalinistoriaieroglifica