Going Through the Motions: American Bodies in Pharrell Williams’s “24 Hours of Happy”

The video promoting Pharrell Williams’s 2013 hit “Happy” is unusual: it runs continuously for 24 hours and displays a succession of around 400 people dancing to the song and often singing its lyrics and displaying with their bodies and facial expressions the spirit of happiness that the song epitomi...

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Main Author: Claude Chastagner
Format: Article
Language:English
Published: Association Française d'Etudes Américaines 2018-11-01
Series:Transatlantica
Subjects:
Online Access:https://journals.openedition.org/transatlantica/9358
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author Claude Chastagner
author_facet Claude Chastagner
author_sort Claude Chastagner
collection DOAJ
description The video promoting Pharrell Williams’s 2013 hit “Happy” is unusual: it runs continuously for 24 hours and displays a succession of around 400 people dancing to the song and often singing its lyrics and displaying with their bodies and facial expressions the spirit of happiness that the song epitomizes. This article analyzes the strategies chosen by the dancers to represent “happiness” and raises several questions: on what basis has the selection of moves and facial expressions been made? With what expected or unexpected impact on the viewers? Is there a specific “American” body language to display happiness? If so, has it evolved in time? Have other parts of the world been affected by similar changes? Does such a body language point to a pressure to conform and thereby raise questions related to freedom? What can we infer from the emphasis put on happiness in this video, and more broadly in US popular culture and public policies?
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language English
publishDate 2018-11-01
publisher Association Française d'Etudes Américaines
record_format Article
series Transatlantica
spelling doaj-art-dd264af982ff4b94ad2ac9a6cfca2cb72025-01-30T10:45:24ZengAssociation Française d'Etudes AméricainesTransatlantica1765-27662018-11-01110.4000/transatlantica.9358Going Through the Motions: American Bodies in Pharrell Williams’s “24 Hours of Happy”Claude ChastagnerThe video promoting Pharrell Williams’s 2013 hit “Happy” is unusual: it runs continuously for 24 hours and displays a succession of around 400 people dancing to the song and often singing its lyrics and displaying with their bodies and facial expressions the spirit of happiness that the song epitomizes. This article analyzes the strategies chosen by the dancers to represent “happiness” and raises several questions: on what basis has the selection of moves and facial expressions been made? With what expected or unexpected impact on the viewers? Is there a specific “American” body language to display happiness? If so, has it evolved in time? Have other parts of the world been affected by similar changes? Does such a body language point to a pressure to conform and thereby raise questions related to freedom? What can we infer from the emphasis put on happiness in this video, and more broadly in US popular culture and public policies?https://journals.openedition.org/transatlantica/9358interculturalitybody languagehappinessnonverbal communication“Happy” “24 Hours of Happy
spellingShingle Claude Chastagner
Going Through the Motions: American Bodies in Pharrell Williams’s “24 Hours of Happy”
Transatlantica
interculturality
body language
happiness
nonverbal communication
“Happy
” “24 Hours of Happy
title Going Through the Motions: American Bodies in Pharrell Williams’s “24 Hours of Happy”
title_full Going Through the Motions: American Bodies in Pharrell Williams’s “24 Hours of Happy”
title_fullStr Going Through the Motions: American Bodies in Pharrell Williams’s “24 Hours of Happy”
title_full_unstemmed Going Through the Motions: American Bodies in Pharrell Williams’s “24 Hours of Happy”
title_short Going Through the Motions: American Bodies in Pharrell Williams’s “24 Hours of Happy”
title_sort going through the motions american bodies in pharrell williams s 24 hours of happy
topic interculturality
body language
happiness
nonverbal communication
“Happy
” “24 Hours of Happy
url https://journals.openedition.org/transatlantica/9358
work_keys_str_mv AT claudechastagner goingthroughthemotionsamericanbodiesinpharrellwilliamss24hoursofhappy