Fetishism and Form: Advertising and Ironic Distance in Don DeLillo’s White Noise
This essay uses the historical framework of late twentieth-century advertising to understand issues of characterization in Don DeLillo’s novel White Noise. Given DeLillo’s prior career as a copywriter for Ogilvy & Mather, as well as a large body of scholarship that analyzes his novels in relatio...
Saved in:
| Main Author: | Adam Szetela |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
European Association for American Studies
2018-06-01
|
| Series: | European Journal of American Studies |
| Subjects: | |
| Online Access: | https://journals.openedition.org/ejas/12950 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
Mutability as Counter-Plot: Apocalypse, Time, and Schematic Imagination in Don DeLillo’s The Body Artist
by: Richard Anker
Published: (2017-04-01) -
Pandemic as Pretext: The Implications of Global Cataclysms in Don DeLillo’s The Silence and Slavoj Žižek’s Writings on Covid-19
by: Alicja Piechucka
Published: (2024-06-01) -
Slowness and Renewed Perception: Revisiting Douglas Gordon’s 24 Hour Psycho (1993) with Don DeLillo’s Point Omega (2010)
by: Françoise Sammarcelli
Published: (2020-12-01) -
“Thinking along the margins”: the choreography of trauma in The Body Artist, by Don DeLillo
by: Sylvie Bauer
Published: (2015-11-01) -
New York Writing: Urban Art in Don DeLillo’s Underworld
by: Wendy Harding
Published: (2009-12-01)