Alred Roller – An Innovator and a Traditionalist
This study focuses on the scenographer Alfred Roller (1864–1935) and his productions of Wagner’s musical dramas, with emphasis on Tristan and Isolde and Parsifal. It places Roller’s aesthetics in a historical, aesthetic, and artistic context, points to his inspiration by the Swiss scenography reform...
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| Format: | Article |
| Language: | English |
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Slovak Academy of Sciences, Institute of Theatre and Film Research of The Art Research Centre
2017-12-01
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| Series: | Slovenské divadlo |
| Online Access: | http://www.degruyter.com/view/j/sd.2017.65.issue-4/sd-2017-0023/sd-2017-0023.xml?format=INT |
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| author | Zavarský Ján |
| author_facet | Zavarský Ján |
| author_sort | Zavarský Ján |
| collection | DOAJ |
| description | This study focuses on the scenographer Alfred Roller (1864–1935) and his productions of Wagner’s musical dramas, with emphasis on Tristan and Isolde and Parsifal. It places Roller’s aesthetics in a historical, aesthetic, and artistic context, points to his inspiration by the Swiss scenography reformer Adolphe Appia, and cooperation with the music composer and conductor Gustav Mahler in the Vienna Court Opera. The text analyses the specifics of Roller’s scenography, which diverged from illusive stage and used light work as an important production principle. It concludes with a summary of the effect of Roller’s aesthetics on Ľudovít Hradský, the first leader of the production team at the Slovak National Theatre (1923–1928). The visual aspects of the Slovak National Theatre’s productions in that period were strongly inspired by expressionism and Art Nouveau, which were typical of German theatre at that time. |
| format | Article |
| id | doaj-art-dbf4fc9c843f4e4e81a668b449201937 |
| institution | OA Journals |
| issn | 1336-8605 |
| language | English |
| publishDate | 2017-12-01 |
| publisher | Slovak Academy of Sciences, Institute of Theatre and Film Research of The Art Research Centre |
| record_format | Article |
| series | Slovenské divadlo |
| spelling | doaj-art-dbf4fc9c843f4e4e81a668b4492019372025-08-20T01:52:11ZengSlovak Academy of Sciences, Institute of Theatre and Film Research of The Art Research CentreSlovenské divadlo1336-86052017-12-0165438340110.1515/sd-2017-0023sd-2017-0023Alred Roller – An Innovator and a TraditionalistZavarský Ján0Ústav divadelnej a filmovej vedy Slovenskej akadémie vied, BratislavaThis study focuses on the scenographer Alfred Roller (1864–1935) and his productions of Wagner’s musical dramas, with emphasis on Tristan and Isolde and Parsifal. It places Roller’s aesthetics in a historical, aesthetic, and artistic context, points to his inspiration by the Swiss scenography reformer Adolphe Appia, and cooperation with the music composer and conductor Gustav Mahler in the Vienna Court Opera. The text analyses the specifics of Roller’s scenography, which diverged from illusive stage and used light work as an important production principle. It concludes with a summary of the effect of Roller’s aesthetics on Ľudovít Hradský, the first leader of the production team at the Slovak National Theatre (1923–1928). The visual aspects of the Slovak National Theatre’s productions in that period were strongly inspired by expressionism and Art Nouveau, which were typical of German theatre at that time.http://www.degruyter.com/view/j/sd.2017.65.issue-4/sd-2017-0023/sd-2017-0023.xml?format=INT |
| spellingShingle | Zavarský Ján Alred Roller – An Innovator and a Traditionalist Slovenské divadlo |
| title | Alred Roller – An Innovator and a Traditionalist |
| title_full | Alred Roller – An Innovator and a Traditionalist |
| title_fullStr | Alred Roller – An Innovator and a Traditionalist |
| title_full_unstemmed | Alred Roller – An Innovator and a Traditionalist |
| title_short | Alred Roller – An Innovator and a Traditionalist |
| title_sort | alred roller an innovator and a traditionalist |
| url | http://www.degruyter.com/view/j/sd.2017.65.issue-4/sd-2017-0023/sd-2017-0023.xml?format=INT |
| work_keys_str_mv | AT zavarskyjan alredrolleraninnovatorandatraditionalist |