Alred Roller – An Innovator and a Traditionalist

This study focuses on the scenographer Alfred Roller (1864–1935) and his productions of Wagner’s musical dramas, with emphasis on Tristan and Isolde and Parsifal. It places Roller’s aesthetics in a historical, aesthetic, and artistic context, points to his inspiration by the Swiss scenography reform...

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Main Author: Zavarský Ján
Format: Article
Language:English
Published: Slovak Academy of Sciences, Institute of Theatre and Film Research of The Art Research Centre 2017-12-01
Series:Slovenské divadlo
Online Access:http://www.degruyter.com/view/j/sd.2017.65.issue-4/sd-2017-0023/sd-2017-0023.xml?format=INT
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author Zavarský Ján
author_facet Zavarský Ján
author_sort Zavarský Ján
collection DOAJ
description This study focuses on the scenographer Alfred Roller (1864–1935) and his productions of Wagner’s musical dramas, with emphasis on Tristan and Isolde and Parsifal. It places Roller’s aesthetics in a historical, aesthetic, and artistic context, points to his inspiration by the Swiss scenography reformer Adolphe Appia, and cooperation with the music composer and conductor Gustav Mahler in the Vienna Court Opera. The text analyses the specifics of Roller’s scenography, which diverged from illusive stage and used light work as an important production principle. It concludes with a summary of the effect of Roller’s aesthetics on Ľudovít Hradský, the first leader of the production team at the Slovak National Theatre (1923–1928). The visual aspects of the Slovak National Theatre’s productions in that period were strongly inspired by expressionism and Art Nouveau, which were typical of German theatre at that time.
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publisher Slovak Academy of Sciences, Institute of Theatre and Film Research of The Art Research Centre
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spelling doaj-art-dbf4fc9c843f4e4e81a668b4492019372025-08-20T01:52:11ZengSlovak Academy of Sciences, Institute of Theatre and Film Research of The Art Research CentreSlovenské divadlo1336-86052017-12-0165438340110.1515/sd-2017-0023sd-2017-0023Alred Roller – An Innovator and a TraditionalistZavarský Ján0Ústav divadelnej a filmovej vedy Slovenskej akadémie vied, BratislavaThis study focuses on the scenographer Alfred Roller (1864–1935) and his productions of Wagner’s musical dramas, with emphasis on Tristan and Isolde and Parsifal. It places Roller’s aesthetics in a historical, aesthetic, and artistic context, points to his inspiration by the Swiss scenography reformer Adolphe Appia, and cooperation with the music composer and conductor Gustav Mahler in the Vienna Court Opera. The text analyses the specifics of Roller’s scenography, which diverged from illusive stage and used light work as an important production principle. It concludes with a summary of the effect of Roller’s aesthetics on Ľudovít Hradský, the first leader of the production team at the Slovak National Theatre (1923–1928). The visual aspects of the Slovak National Theatre’s productions in that period were strongly inspired by expressionism and Art Nouveau, which were typical of German theatre at that time.http://www.degruyter.com/view/j/sd.2017.65.issue-4/sd-2017-0023/sd-2017-0023.xml?format=INT
spellingShingle Zavarský Ján
Alred Roller – An Innovator and a Traditionalist
Slovenské divadlo
title Alred Roller – An Innovator and a Traditionalist
title_full Alred Roller – An Innovator and a Traditionalist
title_fullStr Alred Roller – An Innovator and a Traditionalist
title_full_unstemmed Alred Roller – An Innovator and a Traditionalist
title_short Alred Roller – An Innovator and a Traditionalist
title_sort alred roller an innovator and a traditionalist
url http://www.degruyter.com/view/j/sd.2017.65.issue-4/sd-2017-0023/sd-2017-0023.xml?format=INT
work_keys_str_mv AT zavarskyjan alredrolleraninnovatorandatraditionalist