Shipwreck Architecture
Shipwreck Architecture draws a connection between cosmotechnics, surrealism, and object-oriented ontology using an architectural design framework as a departure point. An academic introduction will connect the tragic aspects of Yuk Hui’s cosmotechnics, to the tragic pairings created by figurative su...
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Format: | Article |
Language: | English |
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TU Delft OPEN Publishing
2025-02-01
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Series: | Footprint |
Online Access: | https://journals.open.tudelft.nl/footprint/article/view/7114 |
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author | Simon Weir Sara Rich |
author_facet | Simon Weir Sara Rich |
author_sort | Simon Weir |
collection | DOAJ |
description | Shipwreck Architecture draws a connection between cosmotechnics, surrealism, and object-oriented ontology using an architectural design framework as a departure point. An academic introduction will connect the tragic aspects of Yuk Hui’s cosmotechnics, to the tragic pairings created by figurative surrealists Rene Magritte and Salvador Dalí, to the ontographic project of shipwreck hauntography. This trajectory of ideas is then projected into a creative project: a speculative history of shipwreck architecture where the cutting edge of biological research is projected into a technological future when the distant aims of today’s technology are ancient history: when the first generations of grown buildings are preserved as ruins, when giant decommissioned carbon-capture factories drift like ghost ships across lakes of their inky waste, when people remember when shipwrecks caused by the hazards of rising sea levels were later exposed by sinking sea levels and converted into hotels and theatres, and finally, when these theatrical memories provoke such nostalgia that shipwreck architecture would be replicated and fabricated.
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format | Article |
id | doaj-art-db6c943d593f4953a69869716dc1812f |
institution | Kabale University |
issn | 1875-1504 1875-1490 |
language | English |
publishDate | 2025-02-01 |
publisher | TU Delft OPEN Publishing |
record_format | Article |
series | Footprint |
spelling | doaj-art-db6c943d593f4953a69869716dc1812f2025-02-11T09:46:29ZengTU Delft OPEN PublishingFootprint1875-15041875-14902025-02-0118210.59490/footprint.18.2.7114Shipwreck ArchitectureSimon Weir0Sara Rich1The University of SydneyCoastal Carolina UniversityShipwreck Architecture draws a connection between cosmotechnics, surrealism, and object-oriented ontology using an architectural design framework as a departure point. An academic introduction will connect the tragic aspects of Yuk Hui’s cosmotechnics, to the tragic pairings created by figurative surrealists Rene Magritte and Salvador Dalí, to the ontographic project of shipwreck hauntography. This trajectory of ideas is then projected into a creative project: a speculative history of shipwreck architecture where the cutting edge of biological research is projected into a technological future when the distant aims of today’s technology are ancient history: when the first generations of grown buildings are preserved as ruins, when giant decommissioned carbon-capture factories drift like ghost ships across lakes of their inky waste, when people remember when shipwrecks caused by the hazards of rising sea levels were later exposed by sinking sea levels and converted into hotels and theatres, and finally, when these theatrical memories provoke such nostalgia that shipwreck architecture would be replicated and fabricated. https://journals.open.tudelft.nl/footprint/article/view/7114 |
spellingShingle | Simon Weir Sara Rich Shipwreck Architecture Footprint |
title | Shipwreck Architecture |
title_full | Shipwreck Architecture |
title_fullStr | Shipwreck Architecture |
title_full_unstemmed | Shipwreck Architecture |
title_short | Shipwreck Architecture |
title_sort | shipwreck architecture |
url | https://journals.open.tudelft.nl/footprint/article/view/7114 |
work_keys_str_mv | AT simonweir shipwreckarchitecture AT sararich shipwreckarchitecture |