Les mirages de l’émigration au miroir du cinéma égyptien

Based on a corpus from « the new wave of emigration films », this article aims to explore the visions conveyed by Egyptian cinema on massive economic migration. Are these film representations different from scientific, literary or media discourses? Beyond their dream of material success and fear of...

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Main Author: Delphine Pagès-El Karoui
Format: Article
Language:English
Published: Université de Provence 2013-12-01
Series:Revue des Mondes Musulmans et de la Méditerranée
Subjects:
Online Access:https://journals.openedition.org/remmm/8261
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author Delphine Pagès-El Karoui
author_facet Delphine Pagès-El Karoui
author_sort Delphine Pagès-El Karoui
collection DOAJ
description Based on a corpus from « the new wave of emigration films », this article aims to explore the visions conveyed by Egyptian cinema on massive economic migration. Are these film representations different from scientific, literary or media discourses? Beyond their dream of material success and fear of cultural alienation, migrants seem to constantly question the foundations of national imagination. Following a brief description of the corpus, we sketched a map of the imaginary migrations of films, which migrations are primarily to the West, although the majority of Egyptians are in the Gulf region. Films, as well as literature, create a pessimistic vision of migration, and condemn both host countries and Egyptian society. Is a new transnational film production emerging, one that encompasses the possibility of dual identity, of being both from here and from there?
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publishDate 2013-12-01
publisher Université de Provence
record_format Article
series Revue des Mondes Musulmans et de la Méditerranée
spelling doaj-art-db3cd537edff4bb48f8fb8ee2557d7d92025-08-20T04:02:17ZengUniversité de ProvenceRevue des Mondes Musulmans et de la Méditerranée0997-13272105-22712013-12-011349911510.4000/remmm.8261Les mirages de l’émigration au miroir du cinéma égyptienDelphine Pagès-El KarouiBased on a corpus from « the new wave of emigration films », this article aims to explore the visions conveyed by Egyptian cinema on massive economic migration. Are these film representations different from scientific, literary or media discourses? Beyond their dream of material success and fear of cultural alienation, migrants seem to constantly question the foundations of national imagination. Following a brief description of the corpus, we sketched a map of the imaginary migrations of films, which migrations are primarily to the West, although the majority of Egyptians are in the Gulf region. Films, as well as literature, create a pessimistic vision of migration, and condemn both host countries and Egyptian society. Is a new transnational film production emerging, one that encompasses the possibility of dual identity, of being both from here and from there?https://journals.openedition.org/remmm/8261cinemaEgyptMigrationNationalismtransnational
spellingShingle Delphine Pagès-El Karoui
Les mirages de l’émigration au miroir du cinéma égyptien
Revue des Mondes Musulmans et de la Méditerranée
cinema
Egypt
Migration
Nationalism
transnational
title Les mirages de l’émigration au miroir du cinéma égyptien
title_full Les mirages de l’émigration au miroir du cinéma égyptien
title_fullStr Les mirages de l’émigration au miroir du cinéma égyptien
title_full_unstemmed Les mirages de l’émigration au miroir du cinéma égyptien
title_short Les mirages de l’émigration au miroir du cinéma égyptien
title_sort les mirages de l emigration au miroir du cinema egyptien
topic cinema
Egypt
Migration
Nationalism
transnational
url https://journals.openedition.org/remmm/8261
work_keys_str_mv AT delphinepageselkaroui lesmiragesdelemigrationaumiroirducinemaegyptien