Knowledge organization and film production: interdisciplinary dialogues on film indexing under a socio-cultural perspective

This study proposes to discuss the sociocultural approach in KO with focus on interdisciplinary relations, within the scope of film indexing in cinema collections, considering two perspectives: the process of film making and the documents generated during this journey; and the design of aspects util...

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Main Authors: Rosa Inês Novais Cordeiro, José Augusto Chaves Guimarães, Fernando Paes de Oliveira Chaves Guimarães
Format: Article
Language:Spanish
Published: Universidad de la República 2025-06-01
Series:Informatio
Subjects:
Online Access:https://informatio.fic.edu.uy/index.php/informatio/article/view/521
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author Rosa Inês Novais Cordeiro
José Augusto Chaves Guimarães
Fernando Paes de Oliveira Chaves Guimarães
author_facet Rosa Inês Novais Cordeiro
José Augusto Chaves Guimarães
Fernando Paes de Oliveira Chaves Guimarães
author_sort Rosa Inês Novais Cordeiro
collection DOAJ
description This study proposes to discuss the sociocultural approach in KO with focus on interdisciplinary relations, within the scope of film indexing in cinema collections, considering two perspectives: the process of film making and the documents generated during this journey; and the design of aspects utilized to analyze and represent films for an information service. For this, film production is considered as a long and complex process that goes through multiple stages, ultimately forming an extensive chain until the film is finalized. In this sense, even after completion, the filmic object still undergoes several phases in the exhibition stage. As a consequence, a proposal for the organic organization of a film's documentation, should consider its pre-production, production and post-production processes, in order to ensure, among other aspects, the context in which the records were created, as well as the discourses that permeate this process. Thus, the proposal for the organic organization of this knowledge must take into account the dynamic context in which it is produced, interpreted and used and some possible facets can be drawn up to lead to access points resulting from the film indexing process are proposed: Cast, Characters; Conflict Matrix; Film Story Summary; Space and Time; and Film Setting as well as the source documents that subsyde the analytic process.
format Article
id doaj-art-db166513391b482e92b81ea22aff0f5e
institution DOAJ
issn 2301-1378
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publishDate 2025-06-01
publisher Universidad de la República
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series Informatio
spelling doaj-art-db166513391b482e92b81ea22aff0f5e2025-08-20T03:11:37ZspaUniversidad de la RepúblicaInformatio2301-13782025-06-01301e207e20710.35643/Info.30.1.12521Knowledge organization and film production: interdisciplinary dialogues on film indexing under a socio-cultural perspectiveRosa Inês Novais CordeiroJosé Augusto Chaves GuimarãesFernando Paes de Oliveira Chaves GuimarãesThis study proposes to discuss the sociocultural approach in KO with focus on interdisciplinary relations, within the scope of film indexing in cinema collections, considering two perspectives: the process of film making and the documents generated during this journey; and the design of aspects utilized to analyze and represent films for an information service. For this, film production is considered as a long and complex process that goes through multiple stages, ultimately forming an extensive chain until the film is finalized. In this sense, even after completion, the filmic object still undergoes several phases in the exhibition stage. As a consequence, a proposal for the organic organization of a film's documentation, should consider its pre-production, production and post-production processes, in order to ensure, among other aspects, the context in which the records were created, as well as the discourses that permeate this process. Thus, the proposal for the organic organization of this knowledge must take into account the dynamic context in which it is produced, interpreted and used and some possible facets can be drawn up to lead to access points resulting from the film indexing process are proposed: Cast, Characters; Conflict Matrix; Film Story Summary; Space and Time; and Film Setting as well as the source documents that subsyde the analytic process.https://informatio.fic.edu.uy/index.php/informatio/article/view/521film indexingfilm productinfilm documentationfilm family tree
spellingShingle Rosa Inês Novais Cordeiro
José Augusto Chaves Guimarães
Fernando Paes de Oliveira Chaves Guimarães
Knowledge organization and film production: interdisciplinary dialogues on film indexing under a socio-cultural perspective
Informatio
film indexing
film productin
film documentation
film family tree
title Knowledge organization and film production: interdisciplinary dialogues on film indexing under a socio-cultural perspective
title_full Knowledge organization and film production: interdisciplinary dialogues on film indexing under a socio-cultural perspective
title_fullStr Knowledge organization and film production: interdisciplinary dialogues on film indexing under a socio-cultural perspective
title_full_unstemmed Knowledge organization and film production: interdisciplinary dialogues on film indexing under a socio-cultural perspective
title_short Knowledge organization and film production: interdisciplinary dialogues on film indexing under a socio-cultural perspective
title_sort knowledge organization and film production interdisciplinary dialogues on film indexing under a socio cultural perspective
topic film indexing
film productin
film documentation
film family tree
url https://informatio.fic.edu.uy/index.php/informatio/article/view/521
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AT joseaugustochavesguimaraes knowledgeorganizationandfilmproductioninterdisciplinarydialoguesonfilmindexingunderasocioculturalperspective
AT fernandopaesdeoliveirachavesguimaraes knowledgeorganizationandfilmproductioninterdisciplinarydialoguesonfilmindexingunderasocioculturalperspective