Poetics and politics in Haralds saga Sigurðarsonar

Haralds saga Sigurðarsonar contains many skaldic stanzas composed by different poets and by King Haraldr himself. The aim of this article is to discuss the rhetoric of self-praise and other techniques that Haraldr Sigurðarson and the skalds around him employ, examining the hypothesis of their funct...

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Main Author: Maria Cristina Lombardi
Format: Article
Language:deu
Published: Ledizioni 2024-09-01
Series:Filologia Germanica
Online Access:https://www.ledijournals.com/ojs/index.php/filologiagermanica/article/view/2609
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author Maria Cristina Lombardi
author_facet Maria Cristina Lombardi
author_sort Maria Cristina Lombardi
collection DOAJ
description Haralds saga Sigurðarsonar contains many skaldic stanzas composed by different poets and by King Haraldr himself. The aim of this article is to discuss the rhetoric of self-praise and other techniques that Haraldr Sigurðarson and the skalds around him employ, examining the hypothesis of their function as rhetorical speeches. Through analyzing some skaldic stanzas of Haraldr’s, we can observe a great concern and control over the process of memorialization through the correct spreading of information regarding his deeds. As it clearly emerges, Haraldr stresses the strict link between him and his brother St Olaf, in order to present himself as the rightful heir to the Norwegian throne. It is also possible to notice a change between the stanzas composed before and after Haraldr Sigurðarson’s ascent to the throne with respect to the choice and density of kennings and other rhetorical devices, mirroring the passage from being a Viking to becoming a king.
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spelling doaj-art-dab4a5d562f44e07b3a7c0233b6800642025-08-20T03:12:57ZdeuLedizioniFilologia Germanica2036-89922024-09-01410.14672/fg.v4i.2609Poetics and politics in Haralds saga SigurðarsonarMaria Cristina Lombardi0 Dipartimento di Studi Letterari, Linguistici e Comparati dell’Università di Napoli “L’Orientale” Haralds saga Sigurðarsonar contains many skaldic stanzas composed by different poets and by King Haraldr himself. The aim of this article is to discuss the rhetoric of self-praise and other techniques that Haraldr Sigurðarson and the skalds around him employ, examining the hypothesis of their function as rhetorical speeches. Through analyzing some skaldic stanzas of Haraldr’s, we can observe a great concern and control over the process of memorialization through the correct spreading of information regarding his deeds. As it clearly emerges, Haraldr stresses the strict link between him and his brother St Olaf, in order to present himself as the rightful heir to the Norwegian throne. It is also possible to notice a change between the stanzas composed before and after Haraldr Sigurðarson’s ascent to the throne with respect to the choice and density of kennings and other rhetorical devices, mirroring the passage from being a Viking to becoming a king. https://www.ledijournals.com/ojs/index.php/filologiagermanica/article/view/2609
spellingShingle Maria Cristina Lombardi
Poetics and politics in Haralds saga Sigurðarsonar
Filologia Germanica
title Poetics and politics in Haralds saga Sigurðarsonar
title_full Poetics and politics in Haralds saga Sigurðarsonar
title_fullStr Poetics and politics in Haralds saga Sigurðarsonar
title_full_unstemmed Poetics and politics in Haralds saga Sigurðarsonar
title_short Poetics and politics in Haralds saga Sigurðarsonar
title_sort poetics and politics in haralds saga sigurdarsonar
url https://www.ledijournals.com/ojs/index.php/filologiagermanica/article/view/2609
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