Once more on musical topics and style analysis. A critical examination of Agawu’s analysis of the introduction to Beethoven’s Pathetic Sonata

The article begins with the analysis of the introduction to Beethoven’s Pathétique Sonata as presented in Playing with Signs by Kofi Agawu, with the intention of posing several questions concerning meaning and function of musical “topics.” In this context, attention is drawn to terminological ambigu...

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Main Author: Ana Stefanovic
Format: Article
Language:deu
Published: Gesellschaft für Musiktheorie (GMTH) 2010-01-01
Series:Zeitschrift der Gesellschaft für Musiktheorie
Subjects:
Online Access:https://storage.gmth.de/zgmth/pdf/576
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author Ana Stefanovic
author_facet Ana Stefanovic
author_sort Ana Stefanovic
collection DOAJ
description The article begins with the analysis of the introduction to Beethoven’s Pathétique Sonata as presented in Playing with Signs by Kofi Agawu, with the intention of posing several questions concerning meaning and function of musical “topics.” In this context, attention is drawn to terminological ambiguities, i.e. to ambiguities in defining the concept of topics, especially in view of similarities and differences with the concept of topos. Subsequently, the question may be asked, “What constitutes a musical topic/topos?” If it is supposed that it represents a sign-function (Umberto Eco), what is a minimal entity that is sufficient to be referred to as a topic/topos? Consequently, what kind of relations does it establish towards style, which still shows itself to be the main referential plane (the content) of topical expression? Finally, the question arises of whether an ‘atomistic’, taxonomic approach to musical “topics” denies – contrary to the intentions of the authors using this term – the semantic aspect of music in which the topics ‘may be found,’ reducing it to the ‘play’ of formal elements, i.e. to purely ornamental function of rhetorical locus communis. Should the place of topic/topos perhaps be looked for elsewhere, in the plane of discourse and narrative structure of the musical text?
format Article
id doaj-art-da3deb0373944b36960924351da52e73
institution Kabale University
issn 1862-6742
language deu
publishDate 2010-01-01
publisher Gesellschaft für Musiktheorie (GMTH)
record_format Article
series Zeitschrift der Gesellschaft für Musiktheorie
spelling doaj-art-da3deb0373944b36960924351da52e732025-02-02T23:49:14ZdeuGesellschaft für Musiktheorie (GMTH)Zeitschrift der Gesellschaft für Musiktheorie1862-67422010-01-017331132510.31751/576576Once more on musical topics and style analysis. A critical examination of Agawu’s analysis of the introduction to Beethoven’s Pathetic SonataAna StefanovicThe article begins with the analysis of the introduction to Beethoven’s Pathétique Sonata as presented in Playing with Signs by Kofi Agawu, with the intention of posing several questions concerning meaning and function of musical “topics.” In this context, attention is drawn to terminological ambiguities, i.e. to ambiguities in defining the concept of topics, especially in view of similarities and differences with the concept of topos. Subsequently, the question may be asked, “What constitutes a musical topic/topos?” If it is supposed that it represents a sign-function (Umberto Eco), what is a minimal entity that is sufficient to be referred to as a topic/topos? Consequently, what kind of relations does it establish towards style, which still shows itself to be the main referential plane (the content) of topical expression? Finally, the question arises of whether an ‘atomistic’, taxonomic approach to musical “topics” denies – contrary to the intentions of the authors using this term – the semantic aspect of music in which the topics ‘may be found,’ reducing it to the ‘play’ of formal elements, i.e. to purely ornamental function of rhetorical locus communis. Should the place of topic/topos perhaps be looked for elsewhere, in the plane of discourse and narrative structure of the musical text?https://storage.gmth.de/zgmth/pdf/576Ludwig van Beethovengalanter Stilgalant styleJean-Philippe RameauKofi AgawuCarl Philipp Emanuel BachChristoph Willibald GluckJohann Sebastian BachToposEmpfindsamer StilSturm und DrangFrench overtureFranzösische OuvertüreJean-Baptiste Lullysolemn styleerhabener Stildramatic styleTheaterstiltopic
spellingShingle Ana Stefanovic
Once more on musical topics and style analysis. A critical examination of Agawu’s analysis of the introduction to Beethoven’s Pathetic Sonata
Zeitschrift der Gesellschaft für Musiktheorie
Ludwig van Beethoven
galanter Stil
galant style
Jean-Philippe Rameau
Kofi Agawu
Carl Philipp Emanuel Bach
Christoph Willibald Gluck
Johann Sebastian Bach
Topos
Empfindsamer Stil
Sturm und Drang
French overture
Französische Ouvertüre
Jean-Baptiste Lully
solemn style
erhabener Stil
dramatic style
Theaterstil
topic
title Once more on musical topics and style analysis. A critical examination of Agawu’s analysis of the introduction to Beethoven’s Pathetic Sonata
title_full Once more on musical topics and style analysis. A critical examination of Agawu’s analysis of the introduction to Beethoven’s Pathetic Sonata
title_fullStr Once more on musical topics and style analysis. A critical examination of Agawu’s analysis of the introduction to Beethoven’s Pathetic Sonata
title_full_unstemmed Once more on musical topics and style analysis. A critical examination of Agawu’s analysis of the introduction to Beethoven’s Pathetic Sonata
title_short Once more on musical topics and style analysis. A critical examination of Agawu’s analysis of the introduction to Beethoven’s Pathetic Sonata
title_sort once more on musical topics and style analysis a critical examination of agawu s analysis of the introduction to beethoven s pathetic sonata
topic Ludwig van Beethoven
galanter Stil
galant style
Jean-Philippe Rameau
Kofi Agawu
Carl Philipp Emanuel Bach
Christoph Willibald Gluck
Johann Sebastian Bach
Topos
Empfindsamer Stil
Sturm und Drang
French overture
Französische Ouvertüre
Jean-Baptiste Lully
solemn style
erhabener Stil
dramatic style
Theaterstil
topic
url https://storage.gmth.de/zgmth/pdf/576
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