S’approprier un modèle français en Iran ? L’architecte André Godard (1881-1965) et la conception des musées iraniens

The history of museums in Iran began in the second half of the nineteenth century and experienced its most significant phase in the 1930s, when the Mūze-ye Irān-e Bāstān, the national archaeological museum designed by the French architect André Godard (1881–1965), was inaugurated. Located in Teheran...

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Main Author: Sarah Piram
Format: Article
Language:fra
Published: École du Louvre 2017-10-01
Series:Les Cahiers de l'École du Louvre
Subjects:
Online Access:https://journals.openedition.org/cel/825
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author Sarah Piram
author_facet Sarah Piram
author_sort Sarah Piram
collection DOAJ
description The history of museums in Iran began in the second half of the nineteenth century and experienced its most significant phase in the 1930s, when the Mūze-ye Irān-e Bāstān, the national archaeological museum designed by the French architect André Godard (1881–1965), was inaugurated. Located in Teheran, the emblematic monument incarnates a period of modernisation and exacerbated nationalism during the reign of Reza Shah Pahlavi (r. 1925–41). The Godard collection, kept in the Musée du Louvre, teaches us about the memorial and patrimonial policies established in Iran between 1928 and 1960 and whose mark is still tangible today.
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spelling doaj-art-da0f59aa2936436386332da06dcc4eca2025-01-30T14:00:08ZfraÉcole du LouvreLes Cahiers de l'École du Louvre2262-208X2017-10-011110.4000/cel.825S’approprier un modèle français en Iran ? L’architecte André Godard (1881-1965) et la conception des musées iraniensSarah PiramThe history of museums in Iran began in the second half of the nineteenth century and experienced its most significant phase in the 1930s, when the Mūze-ye Irān-e Bāstān, the national archaeological museum designed by the French architect André Godard (1881–1965), was inaugurated. Located in Teheran, the emblematic monument incarnates a period of modernisation and exacerbated nationalism during the reign of Reza Shah Pahlavi (r. 1925–41). The Godard collection, kept in the Musée du Louvre, teaches us about the memorial and patrimonial policies established in Iran between 1928 and 1960 and whose mark is still tangible today.https://journals.openedition.org/cel/825heritagearchitecturemuseologyarchivesIranAndré Godard
spellingShingle Sarah Piram
S’approprier un modèle français en Iran ? L’architecte André Godard (1881-1965) et la conception des musées iraniens
Les Cahiers de l'École du Louvre
heritage
architecture
museology
archives
Iran
André Godard
title S’approprier un modèle français en Iran ? L’architecte André Godard (1881-1965) et la conception des musées iraniens
title_full S’approprier un modèle français en Iran ? L’architecte André Godard (1881-1965) et la conception des musées iraniens
title_fullStr S’approprier un modèle français en Iran ? L’architecte André Godard (1881-1965) et la conception des musées iraniens
title_full_unstemmed S’approprier un modèle français en Iran ? L’architecte André Godard (1881-1965) et la conception des musées iraniens
title_short S’approprier un modèle français en Iran ? L’architecte André Godard (1881-1965) et la conception des musées iraniens
title_sort s approprier un modele francais en iran l architecte andre godard 1881 1965 et la conception des musees iraniens
topic heritage
architecture
museology
archives
Iran
André Godard
url https://journals.openedition.org/cel/825
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