Chantal Akerman, entre autoethnographie et banal : un féminisme des interstices.
Chantal Akerman is generally considered a feminist cineast by the commentators of her work, especially regarding her 1976 film Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles. This film perfectly fits into the cognitive orientation of the women’s movement of the second wave in politicizing domes...
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| Format: | Article |
| Language: | fra |
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Genre, Sexualité et Société
2018-11-01
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| Series: | Genre, Sexualité et Société |
| Subjects: | |
| Online Access: | https://journals.openedition.org/gss/4491 |
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