Représenter les Troubles. Du spectacle médiatique au cauchemar historique
The Troubles: a euphemism that designates the violent conflict which started in Londonderry on the 5th October 1968 and which ended with Good Friday Agreement signed on the 10th April 1998 in Belfast. Amongst the artists who sought to represent the events, two English painters stand out: Rita Donagh...
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| Format: | Article |
| Language: | English |
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Presses universitaires de Rennes
2015-10-01
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| Series: | Revue LISA |
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| Online Access: | https://journals.openedition.org/lisa/8801 |
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| _version_ | 1841558393409503232 |
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| author | Brigitte Aubry |
| author_facet | Brigitte Aubry |
| author_sort | Brigitte Aubry |
| collection | DOAJ |
| description | The Troubles: a euphemism that designates the violent conflict which started in Londonderry on the 5th October 1968 and which ended with Good Friday Agreement signed on the 10th April 1998 in Belfast. Amongst the artists who sought to represent the events, two English painters stand out: Rita Donagh, who has been reflecting on the conflict since the 1970s, through the ideas of identity and territory, and Richard Hamilton, who himself created an ambitious trilogy through three major artworks – The citizen (1982-3), The subject (1988-90) and The state (1993). These two artists have challenged the uniformity of the representation of the events through the media. They are thus still participating in the making of history and help to keep alive the memories of this “everlasting war”. |
| format | Article |
| id | doaj-art-d8ced61bc5a849d5a61ad5701639e825 |
| institution | Kabale University |
| issn | 1762-6153 |
| language | English |
| publishDate | 2015-10-01 |
| publisher | Presses universitaires de Rennes |
| record_format | Article |
| series | Revue LISA |
| spelling | doaj-art-d8ced61bc5a849d5a61ad5701639e8252025-01-06T09:03:51ZengPresses universitaires de RennesRevue LISA1762-61532015-10-0110.4000/lisa.8801Représenter les Troubles. Du spectacle médiatique au cauchemar historique Brigitte AubryThe Troubles: a euphemism that designates the violent conflict which started in Londonderry on the 5th October 1968 and which ended with Good Friday Agreement signed on the 10th April 1998 in Belfast. Amongst the artists who sought to represent the events, two English painters stand out: Rita Donagh, who has been reflecting on the conflict since the 1970s, through the ideas of identity and territory, and Richard Hamilton, who himself created an ambitious trilogy through three major artworks – The citizen (1982-3), The subject (1988-90) and The state (1993). These two artists have challenged the uniformity of the representation of the events through the media. They are thus still participating in the making of history and help to keep alive the memories of this “everlasting war”.https://journals.openedition.org/lisa/8801Northern IrelandDonagh RitaHamilton Richard |
| spellingShingle | Brigitte Aubry Représenter les Troubles. Du spectacle médiatique au cauchemar historique Revue LISA Northern Ireland Donagh Rita Hamilton Richard |
| title | Représenter les Troubles. Du spectacle médiatique au cauchemar historique |
| title_full | Représenter les Troubles. Du spectacle médiatique au cauchemar historique |
| title_fullStr | Représenter les Troubles. Du spectacle médiatique au cauchemar historique |
| title_full_unstemmed | Représenter les Troubles. Du spectacle médiatique au cauchemar historique |
| title_short | Représenter les Troubles. Du spectacle médiatique au cauchemar historique |
| title_sort | representer les troubles du spectacle mediatique au cauchemar historique |
| topic | Northern Ireland Donagh Rita Hamilton Richard |
| url | https://journals.openedition.org/lisa/8801 |
| work_keys_str_mv | AT brigitteaubry representerlestroublesduspectaclemediatiqueaucauchemarhistorique |