Dangerous Conversations in The Duchess of Malfi
The proposition of this essay is that conversation exists as a theme in its own right in The Duchess of Malfi. It is clear that Webster borrowed from The Civil Conversation (1586), as Steffano Guazzo’s book was known in English translation. As in Guazzo, honest conversation, in Webster's play,...
Saved in:
Main Author: | John Gillies |
---|---|
Format: | Article |
Language: | English |
Published: |
Centre de Recherche "Texte et Critique de Texte"
2019-01-01
|
Series: | Sillages Critiques |
Subjects: | |
Online Access: | https://journals.openedition.org/sillagescritiques/6709 |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
Feminine Endings in The Duchess of Malfi
by: Ladan Niayesh
Published: (2019-01-01) -
La matière des images dans The Duchess of Malfi
by: Anne-Valérie Dulac
Published: (2019-01-01) -
Le coq médiéval
by: Michel Pastoureau
Published: (2017-12-01) -
‘I am Duchess of Malfi still’: A Review of The Duchess of Malfi, directed by Maria Aberg, The Royal Shakespeare Company (Swan Theatre, Stratford-Upon-Avon, 2018)
by: Jyotsna G. Singh
Published: (2019-01-01) -
Le théâtre baroque du corps démembré dans The Duchess of Malfi
by: Line Cottegnies
Published: (2019-01-01)