Exposure levels
In the essay Studio and Cube, Brian O’Doherty analyses the relationship between the place where art is produced and the place where art is shown, indicating a moment where the two coincide. O’Doherty describes how, in 1964, Lucas Samaras reconstructed part of his studio in the Green Gallery in N...
Saved in:
| Main Author: | Esteban Salcedo Sánchez |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Universidad San Sebastian
2019-04-01
|
| Series: | Materia Arquitectura |
| Subjects: | |
| Online Access: | http://materiaarquitectura.com/index.php/MA/article/view/390 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
Leveraging art markets by artists from Africa with a special interest in the Kenyan art scene: The discrete charm of the NFTs from an artist’s perspective
by: Anne Mwiti
Published: (2025-05-01) -
Roles of Heritage Resources in Tourism Development: Expose on Patronage and Management Practices in Nike Art Gallery, Osogbo, Osun State, Nigeria
by: Olubukola Mary Ogundare, et al.
Published: (2024-06-01) -
Reading Interiors in 1980s Ankara: Transformation of Gallery Art Production and Private Art Galleries
by: Güliz Taşdemir, et al.
Published: (2024-12-01) -
Museums, Socio-Ecological Thinking, and Activist Pedagogies of Imagination
by: Lauren Spring, et al.
Published: (2021-04-01) -
THE DEALING IN THE ART GALLERIES: HOW IS AFFECTING THE CONTEMPORARY ART WORLD
by: Iolanda-Georgiana ANASTASIEI
Published: (2018-11-01)