Political Poetics of Arab Rap as a Form of Memorial Culture

The purpose of the article is to analyse modern Arab rap culture in the politics of memory. The author analyses the tactics and strategies of imagining and inventing the past, its ideologically and politically motivated reinterpretations in the discourse of Arabic rap. The novelty of the study li...

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Main Author: KYRCHANOFF Maksym Valeryevich
Format: Article
Language:English
Published: Russian Academy of Sciences, Institute for African Studies 2023-12-01
Series:Ученые записки Института Африки Российской академии наук
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Online Access:https://africajournal.ru/wp-content/uploads/2023/12/Kirchanov_Politicheskaya-Poэtika.pdf
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author KYRCHANOFF Maksym Valeryevich
author_facet KYRCHANOFF Maksym Valeryevich
author_sort KYRCHANOFF Maksym Valeryevich
collection DOAJ
description The purpose of the article is to analyse modern Arab rap culture in the politics of memory. The author analyses the tactics and strategies of imagining and inventing the past, its ideologically and politically motivated reinterpretations in the discourse of Arabic rap. The novelty of the study lies in the analysis of Arabic rap as a form of memory politics, since most academic studies of memorial culture are limited to the analysis of the visualization and actualization of the past in the nationalist and political imagination, which leads to ignoring the texts of modern mass culture and consumer society as forms and dimensions of the mnemonic space. The article analyses the contribution of Arabic rap to the formation and development of modern memorial culture in contexts of the historical memory of the Arab countries of the Middle East and North Africa. The article also analyses a wide range of problems presented in the Arabic rap discourse. It is presumed that texts of the rap singers inspire the fragmentation of the Arab societies, actualising and visualising various versions of the memorial culture. It is assumed that rap as a form of mass culture can significantly influence the politics of memory as one of the spaces for the actualization and visualization of various memorial canons inspired by the generational differences in ideological and political preferences of Arab societies in contexts of the transformation of collective historical memory.
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series Ученые записки Института Африки Российской академии наук
spelling doaj-art-d7754c7f64ac43a88ec00bc2a416a6d72025-08-20T02:16:34ZengRussian Academy of Sciences, Institute for African StudiesУченые записки Института Африки Российской академии наук2412-57173034-34962023-12-019413114310.31132/2412-5717-2023-65-4-131-143Political Poetics of Arab Rap as a Form of Memorial CultureKYRCHANOFF Maksym Valeryevich0Dr.Sc. (History), Associate Professor of the Department of Regional Studies and Economics of Foreign Countries, Faculty of International Relations, Associate Professor of the Department of History of Foreign Countries and Oriental Studies, Faculty of History, Voronezh State University (Voronezh, Russian Federation)The purpose of the article is to analyse modern Arab rap culture in the politics of memory. The author analyses the tactics and strategies of imagining and inventing the past, its ideologically and politically motivated reinterpretations in the discourse of Arabic rap. The novelty of the study lies in the analysis of Arabic rap as a form of memory politics, since most academic studies of memorial culture are limited to the analysis of the visualization and actualization of the past in the nationalist and political imagination, which leads to ignoring the texts of modern mass culture and consumer society as forms and dimensions of the mnemonic space. The article analyses the contribution of Arabic rap to the formation and development of modern memorial culture in contexts of the historical memory of the Arab countries of the Middle East and North Africa. The article also analyses a wide range of problems presented in the Arabic rap discourse. It is presumed that texts of the rap singers inspire the fragmentation of the Arab societies, actualising and visualising various versions of the memorial culture. It is assumed that rap as a form of mass culture can significantly influence the politics of memory as one of the spaces for the actualization and visualization of various memorial canons inspired by the generational differences in ideological and political preferences of Arab societies in contexts of the transformation of collective historical memory.https://africajournal.ru/wp-content/uploads/2023/12/Kirchanov_Politicheskaya-Poэtika.pdfarabic rappolitical protesthistorical politicspolitics of memorymemorial culturehistorical imagination
spellingShingle KYRCHANOFF Maksym Valeryevich
Political Poetics of Arab Rap as a Form of Memorial Culture
Ученые записки Института Африки Российской академии наук
arabic rap
political protest
historical politics
politics of memory
memorial culture
historical imagination
title Political Poetics of Arab Rap as a Form of Memorial Culture
title_full Political Poetics of Arab Rap as a Form of Memorial Culture
title_fullStr Political Poetics of Arab Rap as a Form of Memorial Culture
title_full_unstemmed Political Poetics of Arab Rap as a Form of Memorial Culture
title_short Political Poetics of Arab Rap as a Form of Memorial Culture
title_sort political poetics of arab rap as a form of memorial culture
topic arabic rap
political protest
historical politics
politics of memory
memorial culture
historical imagination
url https://africajournal.ru/wp-content/uploads/2023/12/Kirchanov_Politicheskaya-Poэtika.pdf
work_keys_str_mv AT kyrchanoffmaksymvaleryevich politicalpoeticsofarabrapasaformofmemorialculture