David Antin : le poème, archive du monde contemporain

Considering the poetry of David Antin from the point of view of cumulative effect of the series of scripted and transcribed talk-poems, this article compares the published books by the author to an archival repository. Written in the continuous present, the poems perform the function of an archive,...

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Main Author: Hélène Aji
Format: Article
Language:English
Published: Centre de Recherche "Texte et Critique de Texte" 2017-12-01
Series:Sillages Critiques
Subjects:
Online Access:https://journals.openedition.org/sillagescritiques/5641
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author Hélène Aji
author_facet Hélène Aji
author_sort Hélène Aji
collection DOAJ
description Considering the poetry of David Antin from the point of view of cumulative effect of the series of scripted and transcribed talk-poems, this article compares the published books by the author to an archival repository. Written in the continuous present, the poems perform the function of an archive, insofar as they outline the relevance of the past to the present, and allow for infinite reconfigurations. These reconfigurations are indexed to the contingency of place and time, both in historiographic and in poetic terms : they evidence the dynamics of the archive as distinct from the reactionary collection defined by Walter Benjamin and open the path to a thinking mode that crystallizes Urphänomene to address the present in ways that have been described by Hannah Arendt.
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issn 1272-3819
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series Sillages Critiques
spelling doaj-art-d70dbbca386f4bb6aea1e7fa0a469be42025-01-30T13:46:57ZengCentre de Recherche "Texte et Critique de Texte"Sillages Critiques1272-38191969-63022017-12-012310.4000/sillagescritiques.5641David Antin : le poème, archive du monde contemporainHélène AjiConsidering the poetry of David Antin from the point of view of cumulative effect of the series of scripted and transcribed talk-poems, this article compares the published books by the author to an archival repository. Written in the continuous present, the poems perform the function of an archive, insofar as they outline the relevance of the past to the present, and allow for infinite reconfigurations. These reconfigurations are indexed to the contingency of place and time, both in historiographic and in poetic terms : they evidence the dynamics of the archive as distinct from the reactionary collection defined by Walter Benjamin and open the path to a thinking mode that crystallizes Urphänomene to address the present in ways that have been described by Hannah Arendt.https://journals.openedition.org/sillagescritiques/5641American poetryprocedural poetryAntin (David)talk-poempoetry archive
spellingShingle Hélène Aji
David Antin : le poème, archive du monde contemporain
Sillages Critiques
American poetry
procedural poetry
Antin (David)
talk-poem
poetry archive
title David Antin : le poème, archive du monde contemporain
title_full David Antin : le poème, archive du monde contemporain
title_fullStr David Antin : le poème, archive du monde contemporain
title_full_unstemmed David Antin : le poème, archive du monde contemporain
title_short David Antin : le poème, archive du monde contemporain
title_sort david antin le poeme archive du monde contemporain
topic American poetry
procedural poetry
Antin (David)
talk-poem
poetry archive
url https://journals.openedition.org/sillagescritiques/5641
work_keys_str_mv AT heleneaji davidantinlepoemearchivedumondecontemporain