Negotiating a Career Path<subtitle>Women Artists in Norway after 1900</subtitle>
Norwegian artists that began exhibiting their work around 1900–1910 had vastly different career trajectories depending on their gender. The article highlights the career trajectories of five women, all of whom were all students at Harriet Backer’s art school. The women received the same training as...
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| Format: | Article |
| Language: | Norwegian Bokmål |
| Published: |
Scandinavian University Press
2024-09-01
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| Series: | Kunst og Kultur |
| Subjects: | |
| Online Access: | https://www.idunn.no/doi/10.18261/kk.107.1-2.2 |
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| _version_ | 1849683502398701568 |
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| author | Signe Endresen |
| author_facet | Signe Endresen |
| author_sort | Signe Endresen |
| collection | DOAJ |
| description | Norwegian artists that began exhibiting their work around 1900–1910 had vastly different career trajectories depending on their gender. The article highlights the career trajectories of five women, all of whom were all students at Harriet Backer’s art school. The women received the same training as the men. A combination of factors (political, economic, social, critical reception, etc.) affected this generation of women artists particularly hard, while the men became central to the development of modern art in Norway. |
| format | Article |
| id | doaj-art-d6e05d16fc154505bc769b8844cb9bb6 |
| institution | DOAJ |
| issn | 0023-5415 1504-3029 |
| language | Norwegian Bokmål |
| publishDate | 2024-09-01 |
| publisher | Scandinavian University Press |
| record_format | Article |
| series | Kunst og Kultur |
| spelling | doaj-art-d6e05d16fc154505bc769b8844cb9bb62025-08-20T03:23:51ZnobScandinavian University PressKunst og Kultur0023-54151504-30292024-09-011071-221310.18261/kk.107.1-2.2Negotiating a Career Path<subtitle>Women Artists in Norway after 1900</subtitle>Signe Endresen0MunchmuseetNorwegian artists that began exhibiting their work around 1900–1910 had vastly different career trajectories depending on their gender. The article highlights the career trajectories of five women, all of whom were all students at Harriet Backer’s art school. The women received the same training as the men. A combination of factors (political, economic, social, critical reception, etc.) affected this generation of women artists particularly hard, while the men became central to the development of modern art in Norway.https://www.idunn.no/doi/10.18261/kk.107.1-2.2Harriet Backer’s art schoolcanon constructionmodern artgender researchwomen artistsHarriet Backers malerskole |
| spellingShingle | Signe Endresen Negotiating a Career Path<subtitle>Women Artists in Norway after 1900</subtitle> Kunst og Kultur Harriet Backer’s art school canon construction modern art gender research women artists Harriet Backers malerskole |
| title | Negotiating a Career Path<subtitle>Women Artists in Norway after 1900</subtitle> |
| title_full | Negotiating a Career Path<subtitle>Women Artists in Norway after 1900</subtitle> |
| title_fullStr | Negotiating a Career Path<subtitle>Women Artists in Norway after 1900</subtitle> |
| title_full_unstemmed | Negotiating a Career Path<subtitle>Women Artists in Norway after 1900</subtitle> |
| title_short | Negotiating a Career Path<subtitle>Women Artists in Norway after 1900</subtitle> |
| title_sort | negotiating a career path subtitle women artists in norway after 1900 subtitle |
| topic | Harriet Backer’s art school canon construction modern art gender research women artists Harriet Backers malerskole |
| url | https://www.idunn.no/doi/10.18261/kk.107.1-2.2 |
| work_keys_str_mv | AT signeendresen negotiatingacareerpathsubtitlewomenartistsinnorwayafter1900subtitle |